{"id":10271,"date":"2017-03-02T05:01:13","date_gmt":"2017-03-02T05:01:13","guid":{"rendered":"http:\/\/associatednews.us\/content\/2017\/03\/02\/first-listen-dayme-arocena-cubafonia\/"},"modified":"2017-03-02T05:01:13","modified_gmt":"2017-03-02T05:01:13","slug":"first-listen-dayme-arocena-cubafonia","status":"publish","type":"post","link":"https:\/\/associatednews.us\/content\/first-listen-dayme-arocena-cubafonia\/","title":{"rendered":"First Listen: Daym\u00e9 Arocena, 'Cubafon\u00eda'"},"content":{"rendered":"

By Felix Contreras<\/a><\/span> <\/p>\n

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\n Daym\u00e9 Arocena’s new album, Cubafon\u00eda<\/em>, comes out March 10.<\/p>\n

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Casey Moore\/Courtesy of the artist<\/p>\n

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Casey Moore\/Courtesy of the artist<\/p>\n

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There is something going on in Cuba that is, quite simply, raising the bar on music of all kinds. An incredibly talented and visionary group of Cuban millennials are reimagining their African roots through a lens that filters, jazz, soul and funk. And Daym\u00e9 Arocena is literally giving voice to this movement.<\/p>\n

Her new album, Cubafon\u00eda,<\/em> is yet another offering from a singer who sounds like a magical mash up of The Queen of Latin Music, Celia Cruz, and The Queen of Soul, Aretha Franklin. Her voice and the music defy expectations, drawing on the power of Afro-Cuban traditions, the nimble athleticism of jazz, and catchy pop melodies.<\/p>\n

“Mambo Na’ Ma” is the perfect example. It reminds us that New Orleans was once considered the northern most port of Cuba (back in the 19th<\/sup> century when Cuban sailors visited the city). It’s an explosion of Crescent City horns and Cuban clave,<\/em> with Arocena’s Spanglish vocals scatting across the top of it all with the power of a brass band march.<\/p>\n