{"id":13141,"date":"2017-09-27T09:00:26","date_gmt":"2017-09-27T09:00:26","guid":{"rendered":"http:\/\/associatednews.us\/content\/2017\/09\/27\/chronixx-tiny-desk-concert\/"},"modified":"2017-09-27T09:00:26","modified_gmt":"2017-09-27T09:00:26","slug":"chronixx-tiny-desk-concert","status":"publish","type":"post","link":"https:\/\/associatednews.us\/content\/chronixx-tiny-desk-concert\/","title":{"rendered":"Chronixx: Tiny Desk Concert"},"content":{"rendered":"<p><span style=\"font-style:italic;font-size:16px\">By  <a class=\"colorbox\" href=\"http:\/\/www.npr.org\/event\/music\/553737760\/chronixx-tiny-desk-concert?utm_medium=RSS&amp;utm_campaign=world\">Abby O&#8217;Neill<\/a><\/span>  <\/p>\n<div class=\"ftpimagefix\" style=\"float:left\"><a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/event\/music\/553737760\/chronixx-tiny-desk-concert?utm_medium=RSS&amp;utm_campaign=world\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2017\/09\/26\/chronixx_ldoyle_wide-90ac306b57e0a7fbb6b4c4c30c4c9423cfa18006.jpg?s=1400\"><\/a><\/div>\n<div><\/div>\n<p>Reggae has long been the most vivid musical escape for me. Its soul-cleansing riddims always feel familiar and cozy, like rushing into your lover&#8217;s arms after a significant time away. This is especially true for roots reggae, whose staccato guitar licks, billowing bass, and sonic splashes on a canvas of negative space, are like salve for the soul. The mid-tempo pulse varnishes heads with Kool-Aid grins and daydreams of living beachside amid nature&#8217;s unrestricted beauty.<\/p>\n<p>Given all that, you can understand why I&#8217;ve been obsessed with Chronixx lately. At a time when dancehall has been dominating the Jamaican soundscape, its refreshing to hear the man born Jamar McNaughton carrying the roots-revival torch for a younger generation and expanding upon the footprint left by his world-renowned predecessors.<\/p>\n<p>Chronixx and his band Zincfence Redemption paid a long-awaited visit to the Tiny Desk to perform three songs from his sophomore album, <em>Chronology<\/em>.<\/p>\n<p><strong>Set List<\/strong><\/p>\n<ul>\n<li>&#8220;Skankin&#8217; Sweet&#8221;<\/li>\n<li>&#8220;Majesty&#8221;<\/li>\n<li>&#8220;Spanish Town Rockin'&#8221;<\/li>\n<\/ul>\n<h3>Musicians<\/h3>\n<p><em>Jamar &#8220;Chronixx&#8221; McNaughton (vocals); Evan Mason (keys); Stephen Coore (guitar); N&#8217;Namdi Robinson (guitar); Hector Lewis (percussion); Adrian Henry (bass); Oliver Thompson (drums)<\/em><\/p>\n<h3>Credits<\/h3>\n<p><em>Producers: Abby O&#8217;Neill, Niki Walker, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Niki Walker, Tsering Bista, Morgan Noelle Smith, Bronson Arcuri; Production Assistant: Jenna Li; Photo: Claire Harbage\/NPR.<\/em><\/p>\n<p><em>For more Tiny Desk concerts, subscribe to our <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/podcasts\/510292\/tiny-desk-concerts-video\">podcast<\/a>.<\/em><\/p>\n<p><strong><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/acceptable.html\">(Why?)<\/a><\/p>\n<p>Source:: <a href=\"http:\/\/www.npr.org\/event\/music\/553737760\/chronixx-tiny-desk-concert?utm_medium=RSS&amp;utm_campaign=world\" class=\"colorbox\" title=\"Chronixx: Tiny Desk Concert\" rel=\"nofollow\">http:\/\/www.npr.org\/event\/music\/553737760\/chronixx-tiny-desk-concert?utm_medium=RSS&amp;utm_campaign=world<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"ftpimagefix\" style=\"float:left\"><a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/event\/music\/553737760\/chronixx-tiny-desk-concert?utm_medium=RSS&amp;utm_campaign=world\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2017\/09\/26\/chronixx_ldoyle_wide-90ac306b57e0a7fbb6b4c4c30c4c9423cfa18006.jpg?s=1400\"><\/a><\/div>\n<div><\/div>\n<p>Reggae has long been the most vivid musical escape for me. Its soul-cleansing riddims always feel familiar and cozy, like rushing into your lover&#8217;s arms after a significant time away. This is especially true for roots reggae, whose staccato guitar licks, billowing bass, and sonic splashes on a canvas of negative space, are like salve for the soul. The mid-tempo pulse varnishes heads with Kool-Aid grins and daydreams of living beachside amid nature&#8217;s unrestricted beauty.<\/p>\n<p>Given all that, you can understand why I&#8217;ve been obsessed with Chronixx lately. At a time when dancehall has been dominating the Jamaican soundscape, its refreshing to hear the man born Jamar McNaughton carrying the roots-revival torch for a younger generation and expanding upon the footprint left by his world-renowned predecessors.<\/p>\n<p>Chronixx and his band Zincfence Redemption paid a long-awaited visit to the Tiny Desk to perform three songs from his sophomore album, <em>Chronology<\/em>.<\/p>\n<p><strong>Set List<\/strong><\/p>\n<ul>\n<li>&#8220;Skankin&#8217; Sweet&#8221;<\/li>\n<li>&#8220;Majesty&#8221;<\/li>\n<li>&#8220;Spanish Town Rockin'&#8221;<\/li>\n<\/ul>\n<h3>Musicians<\/h3>\n<p><em>Jamar &#8220;Chronixx&#8221; McNaughton (vocals); Evan Mason (keys); Stephen Coore (guitar); N&#8217;Namdi Robinson (guitar); Hector Lewis (percussion); Adrian Henry (bass); Oliver Thompson (drums)<\/em><\/p>\n<h3>Credits<\/h3>\n<p><em>Producers: Abby O&#8217;Neill, Niki Walker, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Niki Walker, Tsering Bista, Morgan Noelle Smith, Bronson Arcuri; Production Assistant: Jenna Li; Photo: Claire Harbage\/NPR.<\/em><\/p>\n<p><em>For more Tiny Desk concerts, subscribe to our <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/podcasts\/510292\/tiny-desk-concerts-video\">podcast<\/a>.<\/em><\/p>\n<p><strong><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/acceptable.html\">(Why?)<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41],"tags":[],"class_list":["post-13141","post","type-post","status-publish","format-standard","hentry","category-entertainment"],"_links":{"self":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts\/13141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/comments?post=13141"}],"version-history":[{"count":0,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts\/13141\/revisions"}],"wp:attachment":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/media?parent=13141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/categories?post=13141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/tags?post=13141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}