{"id":15220,"date":"2018-03-04T13:01:50","date_gmt":"2018-03-04T13:01:50","guid":{"rendered":"http:\/\/associatednews.us\/content\/2018\/03\/04\/seun-kuti-furthers-his-fathers-message-on-black-times\/"},"modified":"2018-03-04T13:01:50","modified_gmt":"2018-03-04T13:01:50","slug":"seun-kuti-furthers-his-fathers-message-on-black-times","status":"publish","type":"post","link":"https:\/\/associatednews.us\/content\/seun-kuti-furthers-his-fathers-message-on-black-times\/","title":{"rendered":"Seun Kuti Furthers His Father's Message On 'Black Times'"},"content":{"rendered":"

By Renee Montagne<\/a><\/span> <\/p>\n

<\/p>\n
<\/a><\/div>\n
\n
\n
Enlarge this image<\/a><\/div>\n<\/div>\n
\n
\n
\n

\n The son of Afrobeat icon Fela Kuti, Seun Kuti inherited his father’s band and his preference for political songwriting with infectious grooves.<\/p>\n

<\/p>\n

Alexis Maryon \/Courtesy of the artist<\/p>\n

<\/b>hide caption<\/b><\/b><\/p>\n<\/div>\n

toggle caption<\/b><\/b><\/div>\n

<\/p>\n

Alexis Maryon \/Courtesy of the artist<\/p>\n

<\/span><\/div>\n<\/div>\n

Seun Kuti<\/a> was just 14 when he became the lead singer of Egypt 80 \u2014 the Nigerian band that had carried the infectious groove of Afrobeat worldwide under the direction of Seun’s father, Fela Anikulapo Kuti. The musician says keeping the band together after Fela’s death in 1997 was a way of sustaining his message \u2014 which often included railing against government corruption and social injustice.<\/p>\n

“The way motherland people all over the world are viewed, the way we are led, is based on an elitist, anti-black narrative,” Kuti says. “So the message of Afrobeat music is the counter of that narrative: the pro-black, pro-people, pro-motherland narrative from our own perspective.”<\/p>\n

Black Times<\/em><\/a>, Seun Kuti’s latest album with Egypt 80, continues in that vein, examining Africa’s relationship with imperialism and nation-building \u2014 and features a legend from his father’s generation, Carlos Santana<\/a>, on the title track. Kuti spoke with NPR’s Renee Montagne about the making of Black Times;<\/em> hear more of their conversation at the audio link.<\/p>\n