{"id":19949,"date":"2019-05-20T19:36:44","date_gmt":"2019-05-20T19:36:44","guid":{"rendered":"https:\/\/associatednews.us\/content\/2019\/05\/20\/goldlink-turns-up-as-a-hologram-for-zulu-screams-video\/"},"modified":"2019-05-20T19:36:44","modified_gmt":"2019-05-20T19:36:44","slug":"goldlink-turns-up-as-a-hologram-for-zulu-screams-video","status":"publish","type":"post","link":"https:\/\/associatednews.us\/content\/goldlink-turns-up-as-a-hologram-for-zulu-screams-video\/","title":{"rendered":"GoldLink Turns Up As A Hologram For &#8216;Zulu Screams&#8217; Video"},"content":{"rendered":"<p><span style=\"font-style:italic;font-size:16px\">By  <a class=\"colorbox\" href=\"https:\/\/www.npr.org\/2019\/05\/20\/725087809\/goldlink-turns-up-as-a-hologram-for-zulu-screams-video?utm_medium=RSS&amp;utm_campaign=world\">Joshua Bote<\/a><\/span>  <\/p>\n<div class=\"ftpimagefix\" style=\"float:left\"><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/2019\/05\/20\/725087809\/goldlink-turns-up-as-a-hologram-for-zulu-screams-video?utm_medium=RSS&amp;utm_campaign=world\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2019\/05\/20\/goldlink_wide-724104b75f33e4ee0f8d825e9bc41d8d351afc0c.png?s=1400\"><\/a><\/div>\n<div><\/div>\n<div>\n<div><\/div>\n<div>\n<p>                <b><\/p>\n<p>                    <b>YouTube<\/b><br \/>\n                <\/b>\n        <\/div>\n<\/div>\n<p><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/artists\/519966757\/goldlink\">GoldLink<\/a> is riding a well-deserved tide of goodwill ever since his 2017 studio debut <em>At What Cost<\/em>, a record that birthed &#8220;Crew&#8221; and resulted in his first Grammy nomination.<\/p>\n<p>&#8220;Zulu Screams&#8221; is the latest glimpse of new material from the rapper since January&#8217;s &#8220;Got Muscle.&#8221; It&#8217;s a low-key, welcome return for the rapper&#8217;s nimble flow, setting his sights outside of his hometown&#8217;s go-go music. His voice snakes around P2J&#8217;s delightful production infused with sped-up highlife guitar, assisted by the similarly agile DMV singer-songwriter Bibi Bourelly and Brit-Nigerian singer Maleek Berry.<\/p>\n<p><!-- END ID=\"RES725105848\" CLASS=\"BUCKETWRAP INTERNALLINK INSETTWOCOLUMN INSET2COL \" --><\/p>\n<p>Directed by Meji Alabi, the visual for &#8220;Zulu Screams&#8221; finds GoldLink as a maestro of a particularly rowdy warehouse function \u2014 neon strobelights, a game of craps, and a lot of athletic dance moves on display. The only catch? GoldLink, in these modern times, is a hologram.<\/p>\n<p><strong><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/acceptable.html\">(Why?)<\/a><\/p>\n<p>Source:: <a href=\"https:\/\/www.npr.org\/2019\/05\/20\/725087809\/goldlink-turns-up-as-a-hologram-for-zulu-screams-video?utm_medium=RSS&amp;utm_campaign=world\" class=\"colorbox\" title=\"GoldLink Turns Up As A Hologram For 'Zulu Screams' Video\" rel=\"nofollow\">https:\/\/www.npr.org\/2019\/05\/20\/725087809\/goldlink-turns-up-as-a-hologram-for-zulu-screams-video?utm_medium=RSS&amp;utm_campaign=world<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"ftpimagefix\" style=\"float:left\"><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/2019\/05\/20\/725087809\/goldlink-turns-up-as-a-hologram-for-zulu-screams-video?utm_medium=RSS&amp;utm_campaign=world\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2019\/05\/20\/goldlink_wide-724104b75f33e4ee0f8d825e9bc41d8d351afc0c.png?s=1400\"><\/a><\/div>\n<div><\/div>\n<div>\n<div><\/div>\n<div>\n<p>                <b><\/p>\n<p>                    <b>YouTube<\/b><br \/>\n                <\/b>\n        <\/div>\n<\/div>\n<p><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/artists\/519966757\/goldlink\">GoldLink<\/a> is riding a well-deserved tide of goodwill ever since his 2017 studio debut <em>At What Cost<\/em>, a record that birthed &#8220;Crew&#8221; and resulted in his first Grammy nomination.<\/p>\n<p>&#8220;Zulu Screams&#8221; is the latest glimpse of new material from the rapper since January&#8217;s &#8220;Got Muscle.&#8221; It&#8217;s a low-key, welcome return for the rapper&#8217;s nimble flow, setting his sights outside of his hometown&#8217;s go-go music. His voice snakes around P2J&#8217;s delightful production infused with sped-up highlife guitar, assisted by the similarly agile DMV singer-songwriter Bibi Bourelly and Brit-Nigerian singer Maleek Berry.<\/p>\n<p><!-- END ID=\"RES725105848\" CLASS=\"BUCKETWRAP INTERNALLINK INSETTWOCOLUMN INSET2COL \" --><\/p>\n<p>Directed by Meji Alabi, the visual for &#8220;Zulu Screams&#8221; finds GoldLink as a maestro of a particularly rowdy warehouse function \u2014 neon strobelights, a game of craps, and a lot of athletic dance moves on display. The only catch? GoldLink, in these modern times, is a hologram.<\/p>\n<p><strong><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/acceptable.html\">(Why?)<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41],"tags":[],"class_list":["post-19949","post","type-post","status-publish","format-standard","hentry","category-entertainment"],"_links":{"self":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts\/19949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/comments?post=19949"}],"version-history":[{"count":0,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts\/19949\/revisions"}],"wp:attachment":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/media?parent=19949"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/categories?post=19949"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/tags?post=19949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}