{"id":20479,"date":"2019-07-06T22:07:30","date_gmt":"2019-07-06T22:07:30","guid":{"rendered":"https:\/\/associatednews.us\/content\/2019\/07\/06\/joao-gilberto-master-of-bossa-nova-dies-at-88\/"},"modified":"2019-07-06T22:07:30","modified_gmt":"2019-07-06T22:07:30","slug":"joao-gilberto-master-of-bossa-nova-dies-at-88","status":"publish","type":"post","link":"https:\/\/associatednews.us\/content\/joao-gilberto-master-of-bossa-nova-dies-at-88\/","title":{"rendered":"Jo\u00e3o Gilberto, Master Of Bossa Nova, Dies At 88"},"content":{"rendered":"<p><span style=\"font-style:italic;font-size:16px\">By  <a class=\"colorbox\" href=\"https:\/\/www.npr.org\/2019\/07\/06\/739224759\/jo-o-gilberto-master-of-bossa-nova-dies-at-88?utm_medium=RSS&amp;utm_campaign=world\">Felix Contreras<\/a><\/span>  <\/p>\n<div class=\"ftpimagefix\" style=\"float:left\"><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/2019\/07\/06\/739224759\/jo-o-gilberto-master-of-bossa-nova-dies-at-88?utm_medium=RSS&amp;utm_campaign=world\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2019\/07\/06\/gettyimages-74272859_custom-4d04aa5c97fddb5a213961792635860a8df4b697-s1100-c15.jpg\" alt=\"Jo\u00e3o Gilberto.\"><\/a><\/div>\n<div>\n<div>\n<div>\n            <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/media.npr.org\/assets\/img\/2019\/07\/06\/gettyimages-74272859_custom-4d04aa5c97fddb5a213961792635860a8df4b697-s1200.jpg\">Enlarge this image<\/a>\n        <\/div>\n<\/div>\n<div>\n<div>\n<div>\n        <\/div>\n<\/p><\/div>\n<p>    <span><\/p>\n<p>        Michael Ochs Archives\/Getty Images<\/p>\n<p>    <\/span>\n<\/div>\n<\/p><\/div>\n<p>Jo\u00e3o Gilberto, one of the principal architects of the Brazilian musical style bossa nova, has died at his home in Rio de Janeiro, according to a Facebook post by his son. Jo\u00e3o Marcelo Gilberto wrote that his father, who was 88 years old, died following an undisclosed illness.<\/p>\n<p>Jo\u00e3o Gilberto is credited by some Brazilian music historians as writing the first bossa nova, or new beat, a style that drew on the country&#8217;s African-influenced samba tradition but was performed without the usual battery of drums and rhythm instruments, and at much lower volumes. Gilberto&#8217;s intimate and nuanced style of guitar playing and singing, eventually central to the bossa nova sound, were reportedly developed in 1955 when he sequestered himself inside of a bathroom at his sister&#8217;s house so as not to disturb her family and to take advantage of the acoustics provided by the bathroom tiles.<\/p>\n<p>&#8220;Bim-Bom,&#8221; often named as the first bossa nova song, came from that period. Soon thereafter, the style began to sweep Rio&#8217;s cafe&#8217;s and bars. Gilberto became the center of a vanguard of young Brazilian musicians that included composer Antonio Carlos Jobim and Vinicius de Moraes. Gilberto&#8217;s 1958 recording of &#8220;Chega de Saudade,&#8221; a song written by that pair, became an international hit and launched the bossa nova movement. The two-minute-long song also gave its name to Gilberto&#8217;s debut album, released in 1959. <\/p>\n<div>\n<div><\/div>\n<div>\n<p>                <b><\/p>\n<p>                    <b>YouTube<\/b><br \/>\n                <\/b>\n        <\/div>\n<\/div>\n<p>In 1962 American jazz saxophonist Stan Getz heard the style and invited Gilberto to record together. The resulting album Getz\/Gilberto became one of the biggest selling jazz albums of all time, winning the 1965 Grammy for album of the year. One of the album&#8217;s songs, another composition by Jobim and de Moraes called &#8220;Garota de Ipanema (The Girl from Ipanema)&#8221; featured Gilberto&#8217;s then-wife Astrud on vocals. It was a worldwide hit and won the Grammy for record of the year, helping to cement bossa nova&#8217;s soft, lulling beats and intimate vocals across the global musical landscape.<\/p>\n<aside>\n<div><\/div>\n<\/aside>\n<p>Jo\u00e3o Gilberto continued to perform well into the 21st century and has been recognized by every generation since his debut as a Brazilian musical pioneer.<\/p>\n<p><strong><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/acceptable.html\">(Why?)<\/a><\/p>\n<p>Source:: <a href=\"https:\/\/www.npr.org\/2019\/07\/06\/739224759\/jo-o-gilberto-master-of-bossa-nova-dies-at-88?utm_medium=RSS&amp;utm_campaign=world\" class=\"colorbox\" title=\"Jo\u00e3o Gilberto, Master Of Bossa Nova, Dies At 88\" rel=\"nofollow\">https:\/\/www.npr.org\/2019\/07\/06\/739224759\/jo-o-gilberto-master-of-bossa-nova-dies-at-88?utm_medium=RSS&amp;utm_campaign=world<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"ftpimagefix\" style=\"float:left\"><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/2019\/07\/06\/739224759\/jo-o-gilberto-master-of-bossa-nova-dies-at-88?utm_medium=RSS&amp;utm_campaign=world\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2019\/07\/06\/gettyimages-74272859_custom-4d04aa5c97fddb5a213961792635860a8df4b697-s1100-c15.jpg\" alt=\"Jo\u00e3o Gilberto.\"><\/a><\/div>\n<div>\n<div>\n<div>\n            <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/media.npr.org\/assets\/img\/2019\/07\/06\/gettyimages-74272859_custom-4d04aa5c97fddb5a213961792635860a8df4b697-s1200.jpg\">Enlarge this image<\/a>\n        <\/div>\n<\/div>\n<div>\n<div>\n<div>\n        <\/div>\n<\/p><\/div>\n<p>    <span><\/p>\n<p>        Michael Ochs Archives\/Getty Images<\/p>\n<p>    <\/span>\n<\/div>\n<\/p><\/div>\n<p>Jo\u00e3o Gilberto, one of the principal architects of the Brazilian musical style bossa nova, has died at his home in Rio de Janeiro, according to a Facebook post by his son. Jo\u00e3o Marcelo Gilberto wrote that his father, who was 88 years old, died following an undisclosed illness.<\/p>\n<p>Jo\u00e3o Gilberto is credited by some Brazilian music historians as writing the first bossa nova, or new beat, a style that drew on the country&#8217;s African-influenced samba tradition but was performed without the usual battery of drums and rhythm instruments, and at much lower volumes. Gilberto&#8217;s intimate and nuanced style of guitar playing and singing, eventually central to the bossa nova sound, were reportedly developed in 1955 when he sequestered himself inside of a bathroom at his sister&#8217;s house so as not to disturb her family and to take advantage of the acoustics provided by the bathroom tiles.<\/p>\n<p>&#8220;Bim-Bom,&#8221; often named as the first bossa nova song, came from that period. Soon thereafter, the style began to sweep Rio&#8217;s cafe&#8217;s and bars. Gilberto became the center of a vanguard of young Brazilian musicians that included composer Antonio Carlos Jobim and Vinicius de Moraes. Gilberto&#8217;s 1958 recording of &#8220;Chega de Saudade,&#8221; a song written by that pair, became an international hit and launched the bossa nova movement. The two-minute-long song also gave its name to Gilberto&#8217;s debut album, released in 1959. <\/p>\n<div>\n<div><\/div>\n<div>\n<p>                <b><\/p>\n<p>                    <b>YouTube<\/b><br \/>\n                <\/b>\n        <\/div>\n<\/div>\n<p>In 1962 American jazz saxophonist Stan Getz heard the style and invited Gilberto to record together. The resulting album Getz\/Gilberto became one of the biggest selling jazz albums of all time, winning the 1965 Grammy for album of the year. One of the album&#8217;s songs, another composition by Jobim and de Moraes called &#8220;Garota de Ipanema (The Girl from Ipanema)&#8221; featured Gilberto&#8217;s then-wife Astrud on vocals. It was a worldwide hit and won the Grammy for record of the year, helping to cement bossa nova&#8217;s soft, lulling beats and intimate vocals across the global musical landscape.<\/p>\n<aside>\n<div><\/div>\n<\/aside>\n<p>Jo\u00e3o Gilberto continued to perform well into the 21st century and has been recognized by every generation since his debut as a Brazilian musical pioneer.<\/p>\n<p><strong><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/acceptable.html\">(Why?)<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41],"tags":[],"class_list":["post-20479","post","type-post","status-publish","format-standard","hentry","category-entertainment"],"_links":{"self":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts\/20479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/comments?post=20479"}],"version-history":[{"count":0,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts\/20479\/revisions"}],"wp:attachment":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/media?parent=20479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/categories?post=20479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/tags?post=20479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}