{"id":20685,"date":"2019-07-30T04:01:00","date_gmt":"2019-07-30T04:01:00","guid":{"rendered":"https:\/\/associatednews.us\/content\/2019\/07\/30\/watch-u-k-jazz-group-sons-of-kemet-deliver-an-explosive-midnight-set\/"},"modified":"2019-07-30T04:01:00","modified_gmt":"2019-07-30T04:01:00","slug":"watch-u-k-jazz-group-sons-of-kemet-deliver-an-explosive-midnight-set","status":"publish","type":"post","link":"https:\/\/associatednews.us\/content\/watch-u-k-jazz-group-sons-of-kemet-deliver-an-explosive-midnight-set\/","title":{"rendered":"Watch U.K. Jazz Group Sons Of Kemet Deliver An Explosive Midnight Set"},"content":{"rendered":"<p><span style=\"font-style:italic;font-size:16px\">By  <a class=\"colorbox\" href=\"https:\/\/www.npr.org\/2019\/07\/19\/743431889\/watch-u-k-jazz-group-sons-of-kemet-deliver-an-explosive-midnight-set?utm_medium=RSS&amp;utm_campaign=world\">Nate Chinen<\/a><\/span>  <\/p>\n<div class=\"ftpimagefix\" style=\"float:left\"><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/2019\/07\/19\/743431889\/watch-u-k-jazz-group-sons-of-kemet-deliver-an-explosive-midnight-set?utm_medium=RSS&amp;utm_campaign=world\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2019\/07\/19\/jnia_sonsofkemet_thumb_notext_wide-f9563d5f5716dec13755db7d8fda9e70be1165ee.jpg?s=1400\"><\/a><\/div>\n<div><\/div>\n<p>&#8220;Jazz built for arenas.&#8221;<\/p>\n<p>A friend and former rock critic shared this admiring assessment of Sons of Kemet, after seeing the band for the first time at this year&#8217;s Big Ears Festival. There&#8217;s obviously truth in it: Over the last eight years, Sons of Kemet has not only fueled the fires of a raging London jazz scene; it has also scaled up the pyrotechnics, in strictly musical terms.<\/p>\n<p>With Shabaka Hutchings on tenor saxophone, Theon Cross on tuba, and Eddie Hick and Tom Skinner on drums, it&#8217;s a hardy combustion engine that also feels like a breathing organism. Arenas, sure, but this is also jazz built for street parties. And certain <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/2019\/05\/22\/725834524\/ecm-at-big-ears-a-boundless-label-meets-a-broadminded-festival\">proudly eclectic fests<\/a>.<\/p>\n<p>At Big Ears in Knoxville, Tenn., Sons of Kemet brought its exultant blend of carnival rhythm, club abandon and jazz improv to a midnight show that packed The Mill &amp; Mine, a cavernous room that once housed the Industrial Belting and Supply Company. The set drew from a knockout recent album, <em>Your Queen Is a Reptile<\/em>, but with a spirit of freedom in the moment \u2014 whatever setting you think suits it best, it&#8217;s music made for a perpetual <em>now.<\/em><\/p>\n<p>PERFORMERS<br \/>Shabaka Hutchings: saxophone; Theon Cross: tuba; Tom Skinner: drums; Eddie Hick: drums<\/p>\n<p>CREDITS<br \/>Producers: Sarah Geledi, Colin Marshall, Katie Simon; Head of Recording: Matt Honkonen; Lead Recording Engineer: Jonathan Maness; Assistant Recording Engineer: Ryan Bear; Concert Audio Mix: David Tallacksen, Josh Rogosin; Concert Video Director: Colin Marshall; Videographers: Tsering Bista, Annabel Edwards, Nickolai Hammar, Kimani Oletu; Editor: Maia Stern; Project Manager: Suraya Mohamed; Senior Producers: Colin Marshall, Katie Simon; Supervising Editors: Keith Jenkins, Lauren Onkey; Executive Producers: Gabrielle Armand, Anya Grundman, Amy Niles; Funded in Part By: The Argus Fund, The Andrew W. Mellon Foundation, The Ella Fitzgerald Charitable Fund, The National Endowment for the Arts, Wyncote Foundation<\/p>\n<p><strong><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/acceptable.html\">(Why?)<\/a><\/p>\n<p>Source:: <a href=\"https:\/\/www.npr.org\/2019\/07\/19\/743431889\/watch-u-k-jazz-group-sons-of-kemet-deliver-an-explosive-midnight-set?utm_medium=RSS&amp;utm_campaign=world\" class=\"colorbox\" title=\"Watch U.K. Jazz Group Sons Of Kemet Deliver An Explosive Midnight Set\" rel=\"nofollow\">https:\/\/www.npr.org\/2019\/07\/19\/743431889\/watch-u-k-jazz-group-sons-of-kemet-deliver-an-explosive-midnight-set?utm_medium=RSS&amp;utm_campaign=world<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"ftpimagefix\" style=\"float:left\"><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/2019\/07\/19\/743431889\/watch-u-k-jazz-group-sons-of-kemet-deliver-an-explosive-midnight-set?utm_medium=RSS&amp;utm_campaign=world\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2019\/07\/19\/jnia_sonsofkemet_thumb_notext_wide-f9563d5f5716dec13755db7d8fda9e70be1165ee.jpg?s=1400\"><\/a><\/div>\n<div><\/div>\n<p>&#8220;Jazz built for arenas.&#8221;<\/p>\n<p>A friend and former rock critic shared this admiring assessment of Sons of Kemet, after seeing the band for the first time at this year&#8217;s Big Ears Festival. There&#8217;s obviously truth in it: Over the last eight years, Sons of Kemet has not only fueled the fires of a raging London jazz scene; it has also scaled up the pyrotechnics, in strictly musical terms.<\/p>\n<p>With Shabaka Hutchings on tenor saxophone, Theon Cross on tuba, and Eddie Hick and Tom Skinner on drums, it&#8217;s a hardy combustion engine that also feels like a breathing organism. Arenas, sure, but this is also jazz built for street parties. And certain <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/2019\/05\/22\/725834524\/ecm-at-big-ears-a-boundless-label-meets-a-broadminded-festival\">proudly eclectic fests<\/a>.<\/p>\n<p>At Big Ears in Knoxville, Tenn., Sons of Kemet brought its exultant blend of carnival rhythm, club abandon and jazz improv to a midnight show that packed The Mill &amp; Mine, a cavernous room that once housed the Industrial Belting and Supply Company. The set drew from a knockout recent album, <em>Your Queen Is a Reptile<\/em>, but with a spirit of freedom in the moment \u2014 whatever setting you think suits it best, it&#8217;s music made for a perpetual <em>now.<\/em><\/p>\n<p>PERFORMERS<br \/>Shabaka Hutchings: saxophone; Theon Cross: tuba; Tom Skinner: drums; Eddie Hick: drums<\/p>\n<p>CREDITS<br \/>Producers: Sarah Geledi, Colin Marshall, Katie Simon; Head of Recording: Matt Honkonen; Lead Recording Engineer: Jonathan Maness; Assistant Recording Engineer: Ryan Bear; Concert Audio Mix: David Tallacksen, Josh Rogosin; Concert Video Director: Colin Marshall; Videographers: Tsering Bista, Annabel Edwards, Nickolai Hammar, Kimani Oletu; Editor: Maia Stern; Project Manager: Suraya Mohamed; Senior Producers: Colin Marshall, Katie Simon; Supervising Editors: Keith Jenkins, Lauren Onkey; Executive Producers: Gabrielle Armand, Anya Grundman, Amy Niles; Funded in Part By: The Argus Fund, The Andrew W. Mellon Foundation, The Ella Fitzgerald Charitable Fund, The National Endowment for the Arts, Wyncote Foundation<\/p>\n<p><strong><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/acceptable.html\">(Why?)<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41],"tags":[],"class_list":["post-20685","post","type-post","status-publish","format-standard","hentry","category-entertainment"],"_links":{"self":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts\/20685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/comments?post=20685"}],"version-history":[{"count":0,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts\/20685\/revisions"}],"wp:attachment":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/media?parent=20685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/categories?post=20685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/tags?post=20685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}