{"id":20993,"date":"2019-09-03T09:00:00","date_gmt":"2019-09-03T09:00:00","guid":{"rendered":"https:\/\/associatednews.us\/content\/2019\/09\/03\/a-wa-tiny-desk-concert\/"},"modified":"2019-09-03T09:00:00","modified_gmt":"2019-09-03T09:00:00","slug":"a-wa-tiny-desk-concert","status":"publish","type":"post","link":"https:\/\/associatednews.us\/content\/a-wa-tiny-desk-concert\/","title":{"rendered":"A-WA: Tiny Desk Concert"},"content":{"rendered":"<p><span style=\"font-style:italic;font-size:16px\">By  <a class=\"colorbox\" href=\"https:\/\/www.npr.org\/2019\/09\/03\/755586833\/a-wa-tiny-desk-concert?utm_medium=RSS&amp;utm_campaign=world\">Bob Boilen<\/a><\/span>  <\/p>\n<div class=\"ftpimagefix\" style=\"float:left\"><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/2019\/09\/03\/755586833\/a-wa-tiny-desk-concert?utm_medium=RSS&amp;utm_campaign=world\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2019\/09\/03\/a-wa-tiny-desk-27-copy_wide-fcd0b621cc0f6ba8b113be715071ec95c1a2bba1.jpg?s=1400\"><\/a><\/div>\n<div><\/div>\n<div>\n<div>\n<div>\n<div><\/div>\n<div>\n   <\/div>\n<p><!-- END ID='JWPLAYER755594407' --><\/p><\/div>\n<div>\n<p><span>Credit: <\/span> NPR<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>The last time we filmed these three Israeli sisters, they were <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/2016\/03\/20\/470451262\/south-x-lullaby-a-wa\">sitting <\/a>in my hotel room during South by Southwest, performing a heartbreaking lullaby, accompanied by just a guitarist. Now Liron, Tagel and Tair Haim are behind my desk with a full band of keyboards, bass, guitar and drums, singing more forlorn tunes in their unique three-part harmony.<\/p>\n<p><!-- END ID=\"RES757014354\" CLASS=\"BUCKETWRAP INTERNALLINK INSETTWOCOLUMN INSET2COL \" --><\/p>\n<p>Their songs mix Yemenite and Arabic traditions with splashes of reggae and hip-hop. Our Tiny Desk concert begins with &#8220;Habib Galbi&#8221; (&#8220;Love of My Heart&#8221;), a heartbreaking song that went viral for <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/artists\/482307030\/a-wa\">A-WA<\/a> in 2016. A-WA have recently released a second album, <em>Bayti Fi Rasi <\/em>(<em>My Home is in My Head<\/em>). The record tells the story of their grandmother traveling from Yemen to Israel.<\/p>\n<p>The final two songs come from that recent album. &#8220;Al Asad&#8221; is a metaphorical tale of facing down a lion in your path, while the last song &#8220;Hana Mash Hu Al Yaman,&#8221; (&#8220;Here is Not Yemen&#8221;), paints the struggles of coming to a new land, learning the language, finding work, a place to live and making it a home. This music is relatively upbeat with dark, thoughtful words. We&#8217;ve subtitled English translations as part of the video to help their message reach an even wider audience. This music is for our world at large.<\/p>\n<h3>SET LIST<\/h3>\n<ul>\n<li>&#8216;Habib Galbi&#8221;<\/li>\n<li>&#8220;Al Asad&#8221;<\/li>\n<li>&#8220;Hana Mash Hu Al Yaman&#8221;<\/li>\n<\/ul>\n<h3>MUSICIANS<\/h3>\n<p><em>Tair Haim: vocals; Liron Haim: vocals; Tagel Haim: vocals; Nitzan Eisenberg: bass; Noam Havkin: keys, synth; Tal Cohen: drums; Yiftach Shachaf: guitar<\/em><\/p>\n<h3>CREDITS<\/h3>\n<p><em>Producers: Bob Boilen, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, CJ Riculan, Jeremiah Rhodes, Maia Stern; Associate Producer: Bobby Carter; Production Assistant: Paul Georgoulis; Executive Producer: Lauren Onkey; VP, Programming: Anya Grundmann; Photo: Bob Boilen\/NPR<\/em><\/p>\n<aside>\n<div><\/div>\n<\/aside>\n<p><strong><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/acceptable.html\">(Why?)<\/a><\/p>\n<p>Source:: <a href=\"https:\/\/www.npr.org\/2019\/09\/03\/755586833\/a-wa-tiny-desk-concert?utm_medium=RSS&amp;utm_campaign=world\" class=\"colorbox\" title=\"A-WA: Tiny Desk Concert\" rel=\"nofollow\">https:\/\/www.npr.org\/2019\/09\/03\/755586833\/a-wa-tiny-desk-concert?utm_medium=RSS&amp;utm_campaign=world<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"ftpimagefix\" style=\"float:left\"><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/2019\/09\/03\/755586833\/a-wa-tiny-desk-concert?utm_medium=RSS&amp;utm_campaign=world\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2019\/09\/03\/a-wa-tiny-desk-27-copy_wide-fcd0b621cc0f6ba8b113be715071ec95c1a2bba1.jpg?s=1400\"><\/a><\/div>\n<div><\/div>\n<div>\n<div>\n<div>\n<div><\/div>\n<div>\n   <\/div>\n<p><!-- END ID='JWPLAYER755594407' --><\/p><\/div>\n<div>\n<p><span>Credit: <\/span> NPR<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>The last time we filmed these three Israeli sisters, they were <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/2016\/03\/20\/470451262\/south-x-lullaby-a-wa\">sitting <\/a>in my hotel room during South by Southwest, performing a heartbreaking lullaby, accompanied by just a guitarist. Now Liron, Tagel and Tair Haim are behind my desk with a full band of keyboards, bass, guitar and drums, singing more forlorn tunes in their unique three-part harmony.<\/p>\n<p><!-- END ID=\"RES757014354\" CLASS=\"BUCKETWRAP INTERNALLINK INSETTWOCOLUMN INSET2COL \" --><\/p>\n<p>Their songs mix Yemenite and Arabic traditions with splashes of reggae and hip-hop. Our Tiny Desk concert begins with &#8220;Habib Galbi&#8221; (&#8220;Love of My Heart&#8221;), a heartbreaking song that went viral for <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/www.npr.org\/artists\/482307030\/a-wa\">A-WA<\/a> in 2016. A-WA have recently released a second album, <em>Bayti Fi Rasi <\/em>(<em>My Home is in My Head<\/em>). The record tells the story of their grandmother traveling from Yemen to Israel.<\/p>\n<p>The final two songs come from that recent album. &#8220;Al Asad&#8221; is a metaphorical tale of facing down a lion in your path, while the last song &#8220;Hana Mash Hu Al Yaman,&#8221; (&#8220;Here is Not Yemen&#8221;), paints the struggles of coming to a new land, learning the language, finding work, a place to live and making it a home. This music is relatively upbeat with dark, thoughtful words. We&#8217;ve subtitled English translations as part of the video to help their message reach an even wider audience. This music is for our world at large.<\/p>\n<h3>SET LIST<\/h3>\n<ul>\n<li>&#8216;Habib Galbi&#8221;<\/li>\n<li>&#8220;Al Asad&#8221;<\/li>\n<li>&#8220;Hana Mash Hu Al Yaman&#8221;<\/li>\n<\/ul>\n<h3>MUSICIANS<\/h3>\n<p><em>Tair Haim: vocals; Liron Haim: vocals; Tagel Haim: vocals; Nitzan Eisenberg: bass; Noam Havkin: keys, synth; Tal Cohen: drums; Yiftach Shachaf: guitar<\/em><\/p>\n<h3>CREDITS<\/h3>\n<p><em>Producers: Bob Boilen, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, CJ Riculan, Jeremiah Rhodes, Maia Stern; Associate Producer: Bobby Carter; Production Assistant: Paul Georgoulis; Executive Producer: Lauren Onkey; VP, Programming: Anya Grundmann; Photo: Bob Boilen\/NPR<\/em><\/p>\n<aside>\n<div><\/div>\n<\/aside>\n<p><strong><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/acceptable.html\">(Why?)<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41],"tags":[],"class_list":["post-20993","post","type-post","status-publish","format-standard","hentry","category-entertainment"],"_links":{"self":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts\/20993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/comments?post=20993"}],"version-history":[{"count":0,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts\/20993\/revisions"}],"wp:attachment":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/media?parent=20993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/categories?post=20993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/tags?post=20993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}