{"id":7737,"date":"2016-08-05T17:00:01","date_gmt":"2016-08-05T17:00:01","guid":{"rendered":"http:\/\/associatednews.us\/content\/2016\/08\/05\/from-the-2016-crop-over-festival-a-feast-of-caribbean-soca-music\/"},"modified":"2016-08-05T17:00:01","modified_gmt":"2016-08-05T17:00:01","slug":"from-the-2016-crop-over-festival-a-feast-of-caribbean-soca-music","status":"publish","type":"post","link":"https:\/\/associatednews.us\/content\/from-the-2016-crop-over-festival-a-feast-of-caribbean-soca-music\/","title":{"rendered":"From The 2016 Crop Over Festival, A Feast of Caribbean Soca Music"},"content":{"rendered":"<p><span style=\"font-style:italic;font-size:16px\">By  <a class=\"colorbox\" href=\"http:\/\/www.npr.org\/2016\/08\/05\/488699504\/from-the-2016-crop-over-festival-a-feast-of-caribbean-soca-music?utm_medium=RSS&amp;utm_campaign=world\">Baz Dreisinger<\/a><\/span>  <\/p>\n<div class=\"ftpimagefix\" style=\"float:left\"><a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/2016\/08\/05\/488699504\/from-the-2016-crop-over-festival-a-feast-of-caribbean-soca-music?utm_medium=RSS&amp;utm_campaign=world\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2016\/08\/04\/king-bubba_wide-69d8dd18268ee16cda7516fcb7904fe911949759-s1100-c15.jpg\" title='King Bubba (in the hat) at Crop Over last weekend. His song \"Calling In Sick\" is a robust tribute to rum.' alt='King Bubba (in the hat) at Crop Over last weekend. His song \"Calling In Sick\" is a robust tribute to rum.'><\/a><\/div>\n<div>\n<div>\n<div><\/div>\n<div>\n<div>\n<p>King Bubba (in the hat) at Crop Over last weekend. His song &#8220;Calling In Sick&#8221; is a robust tribute to rum. <strong>Courtesy of the artist<\/strong> <strong>hide caption<\/strong><\/p>\n<\/div>\n<p><strong>toggle caption<\/strong> <span>Courtesy of the artist<\/span><\/div>\n<\/div>\n<p>Soca music fans subsist in a feast-or-famine world. Feasts come during Carnival \u2014 especially Trinidad Carnival, king of them all \u2014 when the exuberant, dance-driven tunes are released faster than soca icon Machel Montano can <em>wine<\/em> his waist (i.e. very, very fast). Famine follows, as we wring every last drop of delight from these soca hits while waiting for another island&#8217;s Carnival \u2014 there&#8217;s one somewhere, most months \u2014 to serve up a trickle of new music.<\/p>\n<p>Enter Barbados Crop Over, bequeathing ravenous soca lovers with a banquet. It&#8217;s the only Caribbean Carnival that can rival Trinidad&#8217;s in terms of quality of parties and musical output. Thanks to a thriving local music scene and a prominent forum for its products \u2014 Crop Over annually attracts thousands, from all over the world \u2014 Barbados has lodged itself at the forefront of the soca music industry. Pour yourself a Mount Gay on ice and feast your ears on some Bajan gems from 2016&#8217;s Crop Over celebration, which wrapped this week on the streets of Bridgetown.<\/p>\n<\/div>\n<div>\n<div>\n<div>\n<h3>Hear The Songs<\/h3>\n<\/div>\n<ul>\n<li>\n<div>\n<h3>Lil Rick, &#8216;Iz A Bajan&#8217;<\/h3>\n<div>\n<div>\n<p>Hyperactive and hyper-productive \u2014 he graced revelers with nearly a dozen hits this Crop Over season \u2014 veteran party-starter Lil Rick won multiple Carnival titles with this vigorous homage to patriotism, an ideal tune for Barbados&#8217;s 50th anniversary of independence.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>Peter Ram, &#8216;Good Morning&#8217;<\/h3>\n<div>\n<div>\n<p>&#8220;Show them how we does jump up, show them how we does free up,&#8221; croons Peter Ram in a tune demanding to be sung along with (especially when it creates dulcet harmony from the word &#8220;gross&#8221;). The operative word here is &#8220;them&#8221;: Carnival is about community, so either you get it and you&#8217;re with us, or you don&#8217;t \u2014 and, alas, you&#8217;re one of <em>them<\/em>.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>Marvay, &#8216;Know The Face&#8217;<\/h3>\n<div>\n<div>\n<p>Ever danced with so many people for so many days, after so many alcoholic beverages at so many different Crop Over fetes \u2014 and you just <em>know<\/em> you know this person you&#8217;re <em>wining<\/em> on yet can&#8217;t quite figure out where you know her from, or whether you ever knew her name? This groovy soca song is for you.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>King Bubba, &#8216;Calling In Sick&#8217;<\/h3>\n<div>\n<div>\n<p>No one can craft a tribute to rum like King Bubba, and this robust hit \u2014 designed to maintain high energy levels during the Grand Kadooment parade on Carnival day \u2014 upholds his gold standard. &#8220;Rum is me only medicine,&#8221; sings the King. Nuff said.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>Stiffy, &#8216;Tek Off Something&#8217;<\/h3>\n<div>\n<div>\n<p>If there were a soca cartoon, Stiffy \u2014 with his ribald lyrics and over-the-top stage persona \u2014 would be it. This omnipresent Crop Over jam instructs revelers to take off something and &#8220;pelt it &#8216;way,&#8221; which might be a metaphor for shedding oneself of all negativity (&#8220;bad mind,&#8221; as West Indians say) during the life-affirming ritual that is Carnival. Or maybe it&#8217;s just license for revelers to liberate themselves from even more articles of clothing.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>Fadda Fox, &#8216;Dirty Habits&#8217;<\/h3>\n<div>\n<div>\n<p>Here&#8217;s the beauty of Carnival: it&#8217;s that time of year when the &#8220;nasty, dirty habits&#8221; that Fadda Fox sings of here \u2014 strong rum, dancing a little, er, too close \u2014 aren&#8217;t really nasty or dirty at all, just standard seasonal bacchanal. Call it Carnival catharsis.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>Marzville feat. Snap Brandy, &#8216;Bang Bim&#8217;<\/h3>\n<div>\n<div>\n<p>Behold an irrepressibly catchy song containing barely a complete word but plenty of monosyllabic ejaculations \u2014 perfect, in other words, for making revelers do as they should during Carnival: shut up and <em>wine<\/em>.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>Leadpipe &amp; Saddis, &#8216;Dreams&#8217;<\/h3>\n<div>\n<div>\n<p>The melodies, the harmonies, the sweet and smooth sound of this tune \u2014 it&#8217;s like Barbadian sugar for the ears.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>DJ Private Ryan, &#8216;Scorch Summer 16&#8217;<\/h3>\n<div>\n<div>\n<p>Non-Bajan alert! DJ Private Ryan is Trinidadian, and he&#8217;s the Funkmaster Flex of soca: the man with the mix everyone is listening to, pre- and post-Carnival. Scorch, meanwhile, is the A-list brand of Carnivals Caribbean-wide \u2014 the promotion company with the fetes everyone is trying to get into. Bring them together and behold a soca-driven musical mix that&#8217;s nothing short of indispensable.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div>[embedded content]<\/div>\n<\/div>\n<p><strong><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/github.com\/fivefilters\/block-ads\/wiki\/There-are-no-acceptable-ads\">(Why?)<\/a><\/p>\n<p>Source:: <a href=\"http:\/\/www.npr.org\/2016\/08\/05\/488699504\/from-the-2016-crop-over-festival-a-feast-of-caribbean-soca-music?utm_medium=RSS&amp;utm_campaign=world\" class=\"colorbox\" title=\"From The 2016 Crop Over Festival, A Feast of Caribbean Soca Music\" rel=\"nofollow\">http:\/\/www.npr.org\/2016\/08\/05\/488699504\/from-the-2016-crop-over-festival-a-feast-of-caribbean-soca-music?utm_medium=RSS&amp;utm_campaign=world<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"ftpimagefix\" style=\"float:left\"><a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/2016\/08\/05\/488699504\/from-the-2016-crop-over-festival-a-feast-of-caribbean-soca-music?utm_medium=RSS&amp;utm_campaign=world\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2016\/08\/04\/king-bubba_wide-69d8dd18268ee16cda7516fcb7904fe911949759-s1100-c15.jpg\" title='King Bubba (in the hat) at Crop Over last weekend. His song \"Calling In Sick\" is a robust tribute to rum.' alt='King Bubba (in the hat) at Crop Over last weekend. His song \"Calling In Sick\" is a robust tribute to rum.'><\/a><\/div>\n<div>\n<div>\n<div><\/div>\n<div>\n<div>\n<p>King Bubba (in the hat) at Crop Over last weekend. His song &#8220;Calling In Sick&#8221; is a robust tribute to rum. <strong>Courtesy of the artist<\/strong> <strong>hide caption<\/strong><\/p>\n<\/div>\n<p><strong>toggle caption<\/strong> <span>Courtesy of the artist<\/span><\/div>\n<\/div>\n<p>Soca music fans subsist in a feast-or-famine world. Feasts come during Carnival \u2014 especially Trinidad Carnival, king of them all \u2014 when the exuberant, dance-driven tunes are released faster than soca icon Machel Montano can <em>wine<\/em> his waist (i.e. very, very fast). Famine follows, as we wring every last drop of delight from these soca hits while waiting for another island&#8217;s Carnival \u2014 there&#8217;s one somewhere, most months \u2014 to serve up a trickle of new music.<\/p>\n<p>Enter Barbados Crop Over, bequeathing ravenous soca lovers with a banquet. It&#8217;s the only Caribbean Carnival that can rival Trinidad&#8217;s in terms of quality of parties and musical output. Thanks to a thriving local music scene and a prominent forum for its products \u2014 Crop Over annually attracts thousands, from all over the world \u2014 Barbados has lodged itself at the forefront of the soca music industry. Pour yourself a Mount Gay on ice and feast your ears on some Bajan gems from 2016&#8217;s Crop Over celebration, which wrapped this week on the streets of Bridgetown.<\/p>\n<\/div>\n<div>\n<div>\n<div>\n<h3>Hear The Songs<\/h3>\n<\/div>\n<ul>\n<li>\n<div>\n<h3>Lil Rick, &#8216;Iz A Bajan&#8217;<\/h3>\n<div>\n<div>\n<p>Hyperactive and hyper-productive \u2014 he graced revelers with nearly a dozen hits this Crop Over season \u2014 veteran party-starter Lil Rick won multiple Carnival titles with this vigorous homage to patriotism, an ideal tune for Barbados&#8217;s 50th anniversary of independence.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>Peter Ram, &#8216;Good Morning&#8217;<\/h3>\n<div>\n<div>\n<p>&#8220;Show them how we does jump up, show them how we does free up,&#8221; croons Peter Ram in a tune demanding to be sung along with (especially when it creates dulcet harmony from the word &#8220;gross&#8221;). The operative word here is &#8220;them&#8221;: Carnival is about community, so either you get it and you&#8217;re with us, or you don&#8217;t \u2014 and, alas, you&#8217;re one of <em>them<\/em>.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>Marvay, &#8216;Know The Face&#8217;<\/h3>\n<div>\n<div>\n<p>Ever danced with so many people for so many days, after so many alcoholic beverages at so many different Crop Over fetes \u2014 and you just <em>know<\/em> you know this person you&#8217;re <em>wining<\/em> on yet can&#8217;t quite figure out where you know her from, or whether you ever knew her name? This groovy soca song is for you.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>King Bubba, &#8216;Calling In Sick&#8217;<\/h3>\n<div>\n<div>\n<p>No one can craft a tribute to rum like King Bubba, and this robust hit \u2014 designed to maintain high energy levels during the Grand Kadooment parade on Carnival day \u2014 upholds his gold standard. &#8220;Rum is me only medicine,&#8221; sings the King. Nuff said.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>Stiffy, &#8216;Tek Off Something&#8217;<\/h3>\n<div>\n<div>\n<p>If there were a soca cartoon, Stiffy \u2014 with his ribald lyrics and over-the-top stage persona \u2014 would be it. This omnipresent Crop Over jam instructs revelers to take off something and &#8220;pelt it &#8216;way,&#8221; which might be a metaphor for shedding oneself of all negativity (&#8220;bad mind,&#8221; as West Indians say) during the life-affirming ritual that is Carnival. Or maybe it&#8217;s just license for revelers to liberate themselves from even more articles of clothing.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>Fadda Fox, &#8216;Dirty Habits&#8217;<\/h3>\n<div>\n<div>\n<p>Here&#8217;s the beauty of Carnival: it&#8217;s that time of year when the &#8220;nasty, dirty habits&#8221; that Fadda Fox sings of here \u2014 strong rum, dancing a little, er, too close \u2014 aren&#8217;t really nasty or dirty at all, just standard seasonal bacchanal. Call it Carnival catharsis.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>Marzville feat. Snap Brandy, &#8216;Bang Bim&#8217;<\/h3>\n<div>\n<div>\n<p>Behold an irrepressibly catchy song containing barely a complete word but plenty of monosyllabic ejaculations \u2014 perfect, in other words, for making revelers do as they should during Carnival: shut up and <em>wine<\/em>.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>Leadpipe &amp; Saddis, &#8216;Dreams&#8217;<\/h3>\n<div>\n<div>\n<p>The melodies, the harmonies, the sweet and smooth sound of this tune \u2014 it&#8217;s like Barbadian sugar for the ears.<\/p>\n<div>\n<div>[embedded content]<\/div>\n<div><strong>YouTube<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div>\n<h3>DJ Private Ryan, &#8216;Scorch Summer 16&#8217;<\/h3>\n<div>\n<div>\n<p>Non-Bajan alert! DJ Private Ryan is Trinidadian, and he&#8217;s the Funkmaster Flex of soca: the man with the mix everyone is listening to, pre- and post-Carnival. Scorch, meanwhile, is the A-list brand of Carnivals Caribbean-wide \u2014 the promotion company with the fetes everyone is trying to get into. Bring them together and behold a soca-driven musical mix that&#8217;s nothing short of indispensable.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div>[embedded content]<\/div>\n<\/div>\n<p><strong><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/github.com\/fivefilters\/block-ads\/wiki\/There-are-no-acceptable-ads\">(Why?)<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41],"tags":[],"class_list":["post-7737","post","type-post","status-publish","format-standard","hentry","category-entertainment"],"_links":{"self":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts\/7737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/comments?post=7737"}],"version-history":[{"count":0,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts\/7737\/revisions"}],"wp:attachment":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/media?parent=7737"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/categories?post=7737"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/tags?post=7737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}