{"id":9140,"date":"2016-11-22T18:27:00","date_gmt":"2016-11-22T18:27:00","guid":{"rendered":"http:\/\/associatednews.us\/content\/2016\/11\/22\/new-mix-some-of-the-best-songs-we-missed-this-year\/"},"modified":"2016-11-22T18:27:00","modified_gmt":"2016-11-22T18:27:00","slug":"new-mix-some-of-the-best-songs-we-missed-this-year","status":"publish","type":"post","link":"https:\/\/associatednews.us\/content\/new-mix-some-of-the-best-songs-we-missed-this-year\/","title":{"rendered":"New Mix: Some Of The Best Songs We Missed This Year"},"content":{"rendered":"<p><span style=\"font-style:italic;font-size:16px\">By  <a class=\"colorbox\" href=\"http:\/\/www.npr.org\/sections\/allsongs\/2016\/11\/22\/503000347\/new-mix-some-of-the-best-songs-we-missed-this-year?utm_medium=RSS&amp;utm_campaign=world\">Bob Boilen<\/a><\/span>  <\/p>\n<div class=\"ftpimagefix\" style=\"float:left\"><a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/sections\/allsongs\/2016\/11\/22\/503000347\/new-mix-some-of-the-best-songs-we-missed-this-year?utm_medium=RSS&amp;utm_campaign=world\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2016\/11\/22\/collage20161122-653376303aeda20627dad7fa2492a2aaa4bcf360-s1100-c15.jpg\" alt=\"\"><\/a><\/div>\n<div>\n<div>\n<div><\/div>\n<div>\n<div>\n<div>\n<p>(Clockwise from upper left) Africaine 808, D.D Dumbo, The Frightnrs, Chris Forsyth &amp; The Solar Motel Band, Anthony Joseph. <strong>Courtesy of the artists<\/strong> <strong>hide caption<\/strong><\/p>\n<\/div>\n<p><strong>toggle caption<\/strong><\/div>\n<p><span>Courtesy of the artists<\/span><\/div>\n<\/div>\n<p>Bob Boilen and I, along with the rest of the NPR Music team, have been prepping for our year-end coverage by listening to hundreds of songs and albums in one big shared playlist. Along the way, we&#8217;ve all discovered stuff we hadn&#8217;t heard before \u2014 and even fallen in love with some of it.<\/p>\n<p>On this week&#8217;s show, Bob and I share some of the artists and albums we missed before now, from Caribbean roots music by <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/prod-seamus.npr.org\/artists\/503000391\/anthony-joseph\">Anthony Joseph<\/a> to the Boston-based funk group <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/prod-seamus.npr.org\/artists\/503001597\/lettuce\">Lettuce<\/a> and the idiosyncratic pop of <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/event\/music\/312277441\/d-d-dumbo-looping-sounds-in-an-austin-alleyway\">D.D Dumbo<\/a>.<\/p>\n<p>NPR Music&#8217;s Tom Huizenga stops by to talk about his favorite discovery from our year-end playlist: <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/sections\/therecord\/2016\/08\/23\/490958536\/the-tragic-turn-of-the-frightnrs-first-and-last-record\">The Frightnrs<\/a>, a band that lovingly recreates the retro sounds of reggae.\u2014<em>Robin Hilton<\/em><\/p>\n<\/div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<h3>Songs Featured On This Episode<\/h3>\n<\/div>\n<\/div>\n<article>\n<div>\n<div><img decoding=\"async\" src=\"https:\/\/media.npr.org\/assets\/music\/programs\/asc\/2016\/11\/ASC20161122\/caribbeanroots-309450d6eba697f27df0b4f4a8f704ea1e25e468-s200-c15.jpg\" alt=\"Cover for Caribbean Roots\"><\/div>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<article>\n<div>\n<h2><strong>01<\/strong>Slinger<\/h2>\n<div>\n<div>4:28<\/div>\n<\/div>\n<div><button><strong>Toggle more options<\/strong><\/button><\/p>\n<ul>\n<li><button><strong>Embed<\/strong><\/button>\n<div><label><strong>Embed<\/strong> <\/label> <strong><code><strong>&lt;<\/strong>iframe src=\"https:\/\/www.npr.org\/player\/embed\/503000347\/503015201\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"&gt;<\/code><\/strong><\/div>\n<\/li>\n<li><button><strong> Buy<\/strong><\/button>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/article>\n<h4>Anthony Joseph<\/h4>\n<ul>\n<li><strong>Song:<\/strong> Slinger<\/li>\n<li><strong>from<\/strong> Caribbean Roots<\/li>\n<\/ul>\n<p>Anthony Joseph makes Caribbean-based music and &#8220;Slinger&#8221; is a song that honors the classic calypso singer <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/prod-seamus.npr.org\/artists\/17082295\/the-mighty-sparrow\">The Mighty Sparrow<\/a>. The song comes from Anthony Joseph&#8217;s latest album, <em>Caribbean Roots<\/em>.<\/p>\n<\/div>\n<\/article>\n<article>\n<div>\n<div><img decoding=\"async\" src=\"https:\/\/media.npr.org\/assets\/music\/coverart\/ALBUM%20ART%20frightnrs-c236f4811db628652abdccd712ae2c024c7283f9-s200-c15.jpg\" alt=\"Cover for Nothing More To Say \"><\/div>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<article>\n<div>\n<h2><strong>02<\/strong>Nothing More To Say<\/h2>\n<div>\n<div>4:11<\/div>\n<\/div>\n<div><button><strong>Toggle more options<\/strong><\/button><\/p>\n<ul>\n<li><button><strong>Embed<\/strong><\/button>\n<div><label><strong>Embed<\/strong> <\/label> <strong><code><strong>&lt;<\/strong>iframe src=\"https:\/\/www.npr.org\/player\/embed\/503000347\/503015495\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"&gt;<\/code><\/strong><\/div>\n<\/li>\n<li><button><strong> Buy<\/strong><\/button>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/article>\n<h4>The Frightnrs<\/h4>\n<ul>\n<li><strong>Song:<\/strong> Nothing More To Say<\/li>\n<li><strong>from<\/strong> Nothing More To Say<\/li>\n<\/ul>\n<p>This pick comes from guest DJ and <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/sections\/deceptivecadence\/\">Deceptive Cadence<\/a> host <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/people\/7572727\/tom-huizenga\">Tom Huizenga<\/a>. Though he&#8217;s a classical expert, Tom has some of the biggest ears on the staff, and will listen to and appreciate a wide swath of music. Tom heard The Frightnrs and enjoyed their music as comfort food and a safe haven from a stressful year. This Queens, N.Y. band lovingly recreates a retro rocksteady sound, down to the lo-fi quality, loving harmonies and delicate instrumentation.<\/p>\n<\/div>\n<\/article>\n<article>\n<div>\n<div><img decoding=\"async\" src=\"https:\/\/media.npr.org\/assets\/music\/programs\/asc\/2016\/11\/ASC20161122\/dddumbo-98901edcfe2bbb01663da168c4302c1a58c19b7d-s200-c15.jpg\" alt=\"Cover for Utopia Defeated\"><\/div>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<article>\n<div>\n<h2><strong>01<\/strong>Walrus<\/h2>\n<div>\n<div>3:13<\/div>\n<\/div>\n<div><button><strong>Toggle more options<\/strong><\/button><\/p>\n<ul>\n<li><button><strong>Embed<\/strong><\/button>\n<div><label><strong>Embed<\/strong> <\/label> <strong><code><strong>&lt;<\/strong>iframe src=\"https:\/\/www.npr.org\/player\/embed\/503000347\/503015569\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"&gt;<\/code><\/strong><\/div>\n<\/li>\n<li><button><strong> Buy<\/strong><\/button>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/article>\n<h4>D.D Dumbo<\/h4>\n<ul>\n<li><strong>Song:<\/strong> Walrus<\/li>\n<li><strong>from<\/strong> Utopia Defeated<\/li>\n<\/ul>\n<p>Australian artist D.D Dumbo is influenced by pop and West African music, creating an interesting blend of two worlds. &#8220;Walrus&#8221; comes from his debut album, <em>Utopia Defeated<\/em>. The song is a commentary on the horrors of making foie gras; the entirety of <em>Utopia Defeated<\/em> is about animal rights and the importance of treating the planet right.<\/p>\n<\/div>\n<\/article>\n<article>\n<div>\n<div><img decoding=\"async\" src=\"https:\/\/media.npr.org\/assets\/music\/programs\/asc\/2016\/11\/ASC20161122\/chrisforsyth-c7d9d92a6de47d98f063fffb9172900dc9e38b88-s200-c15.jpg\" alt=\"Cover for The Rarity Of Experience\"><\/div>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<article>\n<div>\n<h2><strong>01<\/strong>Anthem I<\/h2>\n<div>\n<div>2:45<\/div>\n<\/div>\n<div><button><strong>Toggle more options<\/strong><\/button><\/p>\n<ul>\n<li><button><strong>Embed<\/strong><\/button>\n<div><label><strong>Embed<\/strong> <\/label> <strong><code><strong>&lt;<\/strong>iframe src=\"https:\/\/www.npr.org\/player\/embed\/503000347\/503015630\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"&gt;<\/code><\/strong><\/div>\n<\/li>\n<li><button><strong> Buy<\/strong><\/button>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/article>\n<h4>Chris Forsyth &amp; The Solar Motel Band<\/h4>\n<ul>\n<li><strong>Song:<\/strong> Anthem I<\/li>\n<li><strong>from<\/strong> The Rarity Of Experience<\/li>\n<\/ul>\n<p>You might recognize Chris Forsyth from the <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/2016\/07\/13\/485826902\/chris-forsyth-the-solar-motel-band-tiny-desk-concert\">Tiny Desk Concert<\/a> he and The Solar Motel Band had back in July. &#8220;Anthem I&#8221; is from Forsyth&#8217;s double record, <em>The Rarity of Experience<\/em>. His anthemic music is informed by &#8217;70s guitar rock, with a portion of the tracks on the album being purely instrumental.<\/p>\n<\/div>\n<\/article>\n<article>\n<div>\n<div><img decoding=\"async\" src=\"https:\/\/media.npr.org\/assets\/music\/programs\/asc\/2016\/11\/ASC20161122\/basar-a37d619b42eb821d13793411b743451bcc986e44-s200-c15.jpg\" alt=\"Cover for Basar\"><\/div>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<article>\n<div>\n<h2><strong>02<\/strong>Ngoni<\/h2>\n<div>\n<div>6:05<\/div>\n<\/div>\n<div><button><strong>Toggle more options<\/strong><\/button><\/p>\n<ul>\n<li><button><strong>Embed<\/strong><\/button>\n<div><label><strong>Embed<\/strong> <\/label> <strong><code><strong>&lt;<\/strong>iframe src=\"https:\/\/www.npr.org\/player\/embed\/503000347\/503015949\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"&gt;<\/code><\/strong><\/div>\n<\/li>\n<li><button><strong> Buy<\/strong><\/button>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/article>\n<h4>Africaine 808<\/h4>\n<ul>\n<li><strong>Song:<\/strong> Ngoni<\/li>\n<li><strong>from<\/strong> Basar<\/li>\n<\/ul>\n<p>Don&#8217;t let their name deceive you \u2014 Africaine 808 is a duo from Germany fusing global music with danceable beats. Their name is derived from the familiar Roland 808 drum machine they use. &#8220;Ngoni&#8221; is from <em>Basar<\/em>, Africaine 808&#8217;s debut album. We featured them in our <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/2016\/02\/10\/466173800\/first-listen-africaine-808-basar\">First Listen<\/a> series in February.<\/p>\n<\/div>\n<\/article>\n<article>\n<div>\n<div><img decoding=\"async\" src=\"https:\/\/media.npr.org\/assets\/music\/programs\/asc\/2016\/11\/ASC20161122\/lettucecrushmore-3bef06b7fc0c2830951c6e3353e0799cafb011bc-s200-c15.jpg\" alt=\"Cover for Mt. Crushmore\"><\/div>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<article>\n<div>\n<h2><strong>01<\/strong>The Love You Left Behind (feat. Alecia Chakour)<\/h2>\n<div>\n<div>3:42<\/div>\n<\/div>\n<div><button><strong>Toggle more options<\/strong><\/button><\/p>\n<ul>\n<li><button><strong>Embed<\/strong><\/button>\n<div><label><strong>Embed<\/strong> <\/label> <strong><code><strong>&lt;<\/strong>iframe src=\"https:\/\/www.npr.org\/player\/embed\/503000347\/503015995\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"&gt;<\/code><\/strong><\/div>\n<\/li>\n<li><button><strong> Buy<\/strong><\/button>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/article>\n<h4>Lettuce<\/h4>\n<ul>\n<li><strong>Song:<\/strong> The Love You Left Behind (feat. Alecia Chakour)<\/li>\n<li><strong>from<\/strong> Mt. Crushmore<\/li>\n<\/ul>\n<p>A funk band from Boston, Lettuce has been making music for 25 years. They formed in 1992 after meeting at the Berklee College of Music and released their first album a decade later. &#8220;The Love You Left Behind&#8221; comes from their most recent release, <em>Mt. Crushmore<\/em>.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<p><strong><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/github.com\/fivefilters\/block-ads\/wiki\/There-are-no-acceptable-ads\">(Why?)<\/a><\/p>\n<p>Source:: <a href=\"http:\/\/www.npr.org\/sections\/allsongs\/2016\/11\/22\/503000347\/new-mix-some-of-the-best-songs-we-missed-this-year?utm_medium=RSS&amp;utm_campaign=world\" class=\"colorbox\" title=\"New Mix: Some Of The Best Songs We Missed This Year\" rel=\"nofollow\">http:\/\/www.npr.org\/sections\/allsongs\/2016\/11\/22\/503000347\/new-mix-some-of-the-best-songs-we-missed-this-year?utm_medium=RSS&amp;utm_campaign=world<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"ftpimagefix\" style=\"float:left\"><a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/sections\/allsongs\/2016\/11\/22\/503000347\/new-mix-some-of-the-best-songs-we-missed-this-year?utm_medium=RSS&amp;utm_campaign=world\"><img decoding=\"async\" width=\"150\" src=\"https:\/\/media.npr.org\/assets\/img\/2016\/11\/22\/collage20161122-653376303aeda20627dad7fa2492a2aaa4bcf360-s1100-c15.jpg\" alt=\"\"><\/a><\/div>\n<div>\n<div>\n<div><\/div>\n<div>\n<div>\n<div>\n<p>(Clockwise from upper left) Africaine 808, D.D Dumbo, The Frightnrs, Chris Forsyth &amp; The Solar Motel Band, Anthony Joseph. <strong>Courtesy of the artists<\/strong> <strong>hide caption<\/strong><\/p>\n<\/div>\n<p><strong>toggle caption<\/strong><\/div>\n<p><span>Courtesy of the artists<\/span><\/div>\n<\/div>\n<p>Bob Boilen and I, along with the rest of the NPR Music team, have been prepping for our year-end coverage by listening to hundreds of songs and albums in one big shared playlist. Along the way, we&#8217;ve all discovered stuff we hadn&#8217;t heard before \u2014 and even fallen in love with some of it.<\/p>\n<p>On this week&#8217;s show, Bob and I share some of the artists and albums we missed before now, from Caribbean roots music by <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/prod-seamus.npr.org\/artists\/503000391\/anthony-joseph\">Anthony Joseph<\/a> to the Boston-based funk group <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/prod-seamus.npr.org\/artists\/503001597\/lettuce\">Lettuce<\/a> and the idiosyncratic pop of <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/event\/music\/312277441\/d-d-dumbo-looping-sounds-in-an-austin-alleyway\">D.D Dumbo<\/a>.<\/p>\n<p>NPR Music&#8217;s Tom Huizenga stops by to talk about his favorite discovery from our year-end playlist: <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/sections\/therecord\/2016\/08\/23\/490958536\/the-tragic-turn-of-the-frightnrs-first-and-last-record\">The Frightnrs<\/a>, a band that lovingly recreates the retro sounds of reggae.\u2014<em>Robin Hilton<\/em><\/p>\n<\/div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<h3>Songs Featured On This Episode<\/h3>\n<\/div>\n<\/div>\n<article>\n<div>\n<div><img decoding=\"async\" src=\"https:\/\/media.npr.org\/assets\/music\/programs\/asc\/2016\/11\/ASC20161122\/caribbeanroots-309450d6eba697f27df0b4f4a8f704ea1e25e468-s200-c15.jpg\" alt=\"Cover for Caribbean Roots\"><\/div>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<article>\n<div>\n<h2><strong>01<\/strong>Slinger<\/h2>\n<div>\n<div>4:28<\/div>\n<\/div>\n<div><button><strong>Toggle more options<\/strong><\/button><\/p>\n<ul>\n<li><button><strong>Embed<\/strong><\/button>\n<div><label><strong>Embed<\/strong> <\/label> <strong><code><strong>&lt;<\/strong>iframe src=\"https:\/\/www.npr.org\/player\/embed\/503000347\/503015201\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"&gt;<\/code><\/strong><\/div>\n<\/li>\n<li><button><strong> Buy<\/strong><\/button>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/article>\n<h4>Anthony Joseph<\/h4>\n<ul>\n<li><strong>Song:<\/strong> Slinger<\/li>\n<li><strong>from<\/strong> Caribbean Roots<\/li>\n<\/ul>\n<p>Anthony Joseph makes Caribbean-based music and &#8220;Slinger&#8221; is a song that honors the classic calypso singer <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/prod-seamus.npr.org\/artists\/17082295\/the-mighty-sparrow\">The Mighty Sparrow<\/a>. The song comes from Anthony Joseph&#8217;s latest album, <em>Caribbean Roots<\/em>.<\/p>\n<\/div>\n<\/article>\n<article>\n<div>\n<div><img decoding=\"async\" src=\"https:\/\/media.npr.org\/assets\/music\/coverart\/ALBUM%20ART%20frightnrs-c236f4811db628652abdccd712ae2c024c7283f9-s200-c15.jpg\" alt=\"Cover for Nothing More To Say \"><\/div>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<article>\n<div>\n<h2><strong>02<\/strong>Nothing More To Say<\/h2>\n<div>\n<div>4:11<\/div>\n<\/div>\n<div><button><strong>Toggle more options<\/strong><\/button><\/p>\n<ul>\n<li><button><strong>Embed<\/strong><\/button>\n<div><label><strong>Embed<\/strong> <\/label> <strong><code><strong>&lt;<\/strong>iframe src=\"https:\/\/www.npr.org\/player\/embed\/503000347\/503015495\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"&gt;<\/code><\/strong><\/div>\n<\/li>\n<li><button><strong> Buy<\/strong><\/button>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/article>\n<h4>The Frightnrs<\/h4>\n<ul>\n<li><strong>Song:<\/strong> Nothing More To Say<\/li>\n<li><strong>from<\/strong> Nothing More To Say<\/li>\n<\/ul>\n<p>This pick comes from guest DJ and <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/sections\/deceptivecadence\/\">Deceptive Cadence<\/a> host <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/people\/7572727\/tom-huizenga\">Tom Huizenga<\/a>. Though he&#8217;s a classical expert, Tom has some of the biggest ears on the staff, and will listen to and appreciate a wide swath of music. Tom heard The Frightnrs and enjoyed their music as comfort food and a safe haven from a stressful year. This Queens, N.Y. band lovingly recreates a retro rocksteady sound, down to the lo-fi quality, loving harmonies and delicate instrumentation.<\/p>\n<\/div>\n<\/article>\n<article>\n<div>\n<div><img decoding=\"async\" src=\"https:\/\/media.npr.org\/assets\/music\/programs\/asc\/2016\/11\/ASC20161122\/dddumbo-98901edcfe2bbb01663da168c4302c1a58c19b7d-s200-c15.jpg\" alt=\"Cover for Utopia Defeated\"><\/div>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<article>\n<div>\n<h2><strong>01<\/strong>Walrus<\/h2>\n<div>\n<div>3:13<\/div>\n<\/div>\n<div><button><strong>Toggle more options<\/strong><\/button><\/p>\n<ul>\n<li><button><strong>Embed<\/strong><\/button>\n<div><label><strong>Embed<\/strong> <\/label> <strong><code><strong>&lt;<\/strong>iframe src=\"https:\/\/www.npr.org\/player\/embed\/503000347\/503015569\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"&gt;<\/code><\/strong><\/div>\n<\/li>\n<li><button><strong> Buy<\/strong><\/button>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/article>\n<h4>D.D Dumbo<\/h4>\n<ul>\n<li><strong>Song:<\/strong> Walrus<\/li>\n<li><strong>from<\/strong> Utopia Defeated<\/li>\n<\/ul>\n<p>Australian artist D.D Dumbo is influenced by pop and West African music, creating an interesting blend of two worlds. &#8220;Walrus&#8221; comes from his debut album, <em>Utopia Defeated<\/em>. The song is a commentary on the horrors of making foie gras; the entirety of <em>Utopia Defeated<\/em> is about animal rights and the importance of treating the planet right.<\/p>\n<\/div>\n<\/article>\n<article>\n<div>\n<div><img decoding=\"async\" src=\"https:\/\/media.npr.org\/assets\/music\/programs\/asc\/2016\/11\/ASC20161122\/chrisforsyth-c7d9d92a6de47d98f063fffb9172900dc9e38b88-s200-c15.jpg\" alt=\"Cover for The Rarity Of Experience\"><\/div>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<article>\n<div>\n<h2><strong>01<\/strong>Anthem I<\/h2>\n<div>\n<div>2:45<\/div>\n<\/div>\n<div><button><strong>Toggle more options<\/strong><\/button><\/p>\n<ul>\n<li><button><strong>Embed<\/strong><\/button>\n<div><label><strong>Embed<\/strong> <\/label> <strong><code><strong>&lt;<\/strong>iframe src=\"https:\/\/www.npr.org\/player\/embed\/503000347\/503015630\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"&gt;<\/code><\/strong><\/div>\n<\/li>\n<li><button><strong> Buy<\/strong><\/button>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/article>\n<h4>Chris Forsyth &amp; The Solar Motel Band<\/h4>\n<ul>\n<li><strong>Song:<\/strong> Anthem I<\/li>\n<li><strong>from<\/strong> The Rarity Of Experience<\/li>\n<\/ul>\n<p>You might recognize Chris Forsyth from the <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/2016\/07\/13\/485826902\/chris-forsyth-the-solar-motel-band-tiny-desk-concert\">Tiny Desk Concert<\/a> he and The Solar Motel Band had back in July. &#8220;Anthem I&#8221; is from Forsyth&#8217;s double record, <em>The Rarity of Experience<\/em>. His anthemic music is informed by &#8217;70s guitar rock, with a portion of the tracks on the album being purely instrumental.<\/p>\n<\/div>\n<\/article>\n<article>\n<div>\n<div><img decoding=\"async\" src=\"https:\/\/media.npr.org\/assets\/music\/programs\/asc\/2016\/11\/ASC20161122\/basar-a37d619b42eb821d13793411b743451bcc986e44-s200-c15.jpg\" alt=\"Cover for Basar\"><\/div>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<article>\n<div>\n<h2><strong>02<\/strong>Ngoni<\/h2>\n<div>\n<div>6:05<\/div>\n<\/div>\n<div><button><strong>Toggle more options<\/strong><\/button><\/p>\n<ul>\n<li><button><strong>Embed<\/strong><\/button>\n<div><label><strong>Embed<\/strong> <\/label> <strong><code><strong>&lt;<\/strong>iframe src=\"https:\/\/www.npr.org\/player\/embed\/503000347\/503015949\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"&gt;<\/code><\/strong><\/div>\n<\/li>\n<li><button><strong> Buy<\/strong><\/button>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/article>\n<h4>Africaine 808<\/h4>\n<ul>\n<li><strong>Song:<\/strong> Ngoni<\/li>\n<li><strong>from<\/strong> Basar<\/li>\n<\/ul>\n<p>Don&#8217;t let their name deceive you \u2014 Africaine 808 is a duo from Germany fusing global music with danceable beats. Their name is derived from the familiar Roland 808 drum machine they use. &#8220;Ngoni&#8221; is from <em>Basar<\/em>, Africaine 808&#8217;s debut album. We featured them in our <a class=\"colorbox\" rel=\"nofollow\" href=\"http:\/\/www.npr.org\/2016\/02\/10\/466173800\/first-listen-africaine-808-basar\">First Listen<\/a> series in February.<\/p>\n<\/div>\n<\/article>\n<article>\n<div>\n<div><img decoding=\"async\" src=\"https:\/\/media.npr.org\/assets\/music\/programs\/asc\/2016\/11\/ASC20161122\/lettucecrushmore-3bef06b7fc0c2830951c6e3353e0799cafb011bc-s200-c15.jpg\" alt=\"Cover for Mt. Crushmore\"><\/div>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<article>\n<div>\n<h2><strong>01<\/strong>The Love You Left Behind (feat. Alecia Chakour)<\/h2>\n<div>\n<div>3:42<\/div>\n<\/div>\n<div><button><strong>Toggle more options<\/strong><\/button><\/p>\n<ul>\n<li><button><strong>Embed<\/strong><\/button>\n<div><label><strong>Embed<\/strong> <\/label> <strong><code><strong>&lt;<\/strong>iframe src=\"https:\/\/www.npr.org\/player\/embed\/503000347\/503015995\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"&gt;<\/code><\/strong><\/div>\n<\/li>\n<li><button><strong> Buy<\/strong><\/button>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/article>\n<h4>Lettuce<\/h4>\n<ul>\n<li><strong>Song:<\/strong> The Love You Left Behind (feat. Alecia Chakour)<\/li>\n<li><strong>from<\/strong> Mt. Crushmore<\/li>\n<\/ul>\n<p>A funk band from Boston, Lettuce has been making music for 25 years. They formed in 1992 after meeting at the Berklee College of Music and released their first album a decade later. &#8220;The Love You Left Behind&#8221; comes from their most recent release, <em>Mt. Crushmore<\/em>.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<p><strong><a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/blockads.fivefilters.org\/\">Let&#8217;s block ads!<\/a><\/strong> <a class=\"colorbox\" rel=\"nofollow\" href=\"https:\/\/github.com\/fivefilters\/block-ads\/wiki\/There-are-no-acceptable-ads\">(Why?)<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41],"tags":[],"class_list":["post-9140","post","type-post","status-publish","format-standard","hentry","category-entertainment"],"_links":{"self":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts\/9140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/comments?post=9140"}],"version-history":[{"count":0,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/posts\/9140\/revisions"}],"wp:attachment":[{"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/media?parent=9140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/categories?post=9140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/associatednews.us\/content\/wp-json\/wp\/v2\/tags?post=9140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}