Papa John's CEO Steps Down Following Controversial Remarks On NFL
Papa John’s founder, chairman and CEO John Schnatter talks on Super Bowl 51 Radio Row, in February, in Houston.
Jack Dempsey/Invision for Papa John’s
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Jack Dempsey/Invision for Papa John’s
John Schnatter, the founder of the Papa John’s pizza chain, will step down as CEO in the wake of controversial comments he made last month about the NFL’s handling of the anthem protests.
Schnatter will be replaced on Jan. 1 by the company’s chief operating officer, Steve Ritchie. Schnatter will remain chairman of the board.
The 56-year-old founder of the chain came under fire after remarks he made during the company’s third-quarter earnings call. He said Papa John’s — a National Football League sponsor and advertiser — had been “hurt” by the “take a knee” protest led by African-American players to draw attention to police brutality.
“And more importantly, by not resolving the current debacle to the player and owners’ satisfaction, NFL leadership has hurt Papa John’s shareholders,” Schnatter had said during the Nov. 1 call.
“Leadership starts at the top, and this is an example of poor leadership,” he said.
The comments generated a backlash on social media, with some accusing the company of racism. Meanwhile, white supremacists vowed to make Papa John’s the official pizza of the alt-right.
Papa John’s responded in a statement: “We condemn racism in all forms and any and all hate groups that support it. … We do not want these individuals or groups to buy our pizza.”
Schnatter himself has said goodbye to the CEO gig before. He stepped down in 2005, but returned in 2008. In 2010, he took on a co-CEO, Jude Thompson, but that arrangement ended the following year.
In Louisiana, NFL Anthem Protests Threaten Saints' Tax Breaks
President Trump’s tweets are keeping the pressure on NFL players who use the national anthem to protest police brutality. In Louisiana, the debate has led to boycotts of games and calls for the Saints to lose their state tax breaks.
Police Reportedly Clear Venus Williams Of Blame In Fatal Car Crash
Venus Williams, seen in body camera footage from June, listens to a police officer following a car crash that fatally injured an elderly man.
Palm Beach Gardens Police Department via AP
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Palm Beach Gardens Police Department via AP
Venus Williams will not be charged in the collision that led to the death of a passenger in another car in Florida earlier this year, according to multiple media outlets quoting local police. The decision marks a reversal from authorities’ initial assessment of the accident, which had laid fault primarily with the longtime tennis icon.
“Based upon this investigation and relevant Florida state statutes, no charges will be filed in this case,” reads the assessment of the Palm Beach Gardens Police Department, as the local Sun Sentinel newspaper reports. The investigation also found no fault with the driver whose car struck Williams’ vehicle.
The department did not immediately respond to NPR’s request for comment.
The results of the probe offer a new twist to the incident, the details of which have been unspooling unevenly since the fatal collision.
At first, authorities said Williams ran a red light and thus caused the crash that injured Jerome Barson, 78, who died of those injuries two weeks later. Yet not long afterward, police announced that surveillance footage appeared to show a different story — that Williams had actually entered the intersection legally before she was cut off and, in the words of The Associated Press, set off “a chain of events that seconds later resulted in a fatal crash with a third car.”
Body camera footage released weeks later offered a closer look at the accident’s aftermath, during which the officer on the scene told Williams he’d say she was at fault — but added, “I don’t feel comfortable writing a citation when I’m not a hundred percent sure, and I’m not a hundred percent sure in this case.”
Williams has not commented publicly on the report reportedly clearing her of blame. In June, after news of the crash surfaced, she wrote on Facebook that she was “devastated and heartbroken by this accident.”
Wednesday’s news does not bring an end to the questions surrounding the incident, however. There may be no criminal charges coming against Williams, but the Sun Sentinel notes that Barson’s family has already filed a lawsuit against her.
McKayla Maroney Sues USA Gymnastics For Trying To 'Conceal' Doctor's Sexual Abuses
McKayla Maroney had signed a confidentiality provision as part of a monetary settlement in late 2016.
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Ronald Martinez/Getty Images
Olympic medalist McKayla Maroney has filed a lawsuit against USA Gymnastics, saying the organization sought to silence her claims of sexual abuse against disgraced team doctor Larry Nassar last year.
Maroney, who earned international fame during the 2012 Summer Games, alleges that American gymnastics’ governing body not only failed to protect athletes from Nassar, but also had her sign a confidentiality agreement last December — after the first of more than 100 women and girls began coming forward with their stories of abuse.
Maroney believes the monetary settlement included a confidentiality provision primarily so that USA Gymnastics — in the words of her complaint — “could further conceal and shield from public scrutiny, outside investigation, and law enforcement, the true nature of NASSAR’s horrific sexual abuse of minors.”
The complaint did not disclose the amount Maroney was paid as part of the settlement, but The Wall Street Journal and The Los Angeles Times report it was $1.25 million. Maroney’s filing says she entered the agreement “to obtain funds necessary to pay for lifesaving psychological treatment and care” after her alleged abuse.
Her suit Wednesday aims to nullify that deal as a “direct violation” of California law. It also names as defendants Nassar, the U.S. Olympic Committee and Michigan State University, Nassar’s employer for roughly two decades.
“A simple fact is this: If Michigan State University, USA Gymnastics and the US Olympic Committee had paid attention to any of the red flags in Larry Nassar’s behavior, I never would have met him, I never would have been ‘treated’ by him and I never would have been abused by him,” Maroney said in a statement released Wednesday.
Earlier this month, the doctor was sentenced to 60 years in prison after pleading guilty to criminal sexual conduct and child pornography. Scores of women and girls, including Maroney’s 2012 Olympic teammates Aly Raisman and Gabby Douglas, have accused Nassar of sexually assaulting them under the guise of medical treatment.
NBC reports that USA Gymnastics “quietly fired” him in June 2015 after receiving multiple complaints against him and that Nassar “continued to treat, and allegedly abuse, patients at his Michigan State University sports medicine practice.”
As NPR’s Laurel Wamsley reported, Maroney posted her own story on social media just two months ago:
” ‘I had a dream to go to the Olympics,’ she writes in a statement posted to Twitter, ‘and the things that I had to endure to get there, were unnecessary, and disgusting.’
” ‘Dr. Nassar told me that I was receiving ‘medically necessary treatment that he had been performing on patients for over 30 years,” ‘ she writes. ‘It started when I was 13 years old, at one of my first National Team training camps, in Texas, and it didn’t end until I left the sport.’ She says the abuse continued in London during the 2012 games.
“Maroney says the scariest night of her life happened when she was 15 years old, when the team traveled to Tokyo. She says Nassar gave her a sleeping pill to help her sleep on the flight, and when she awoke she was alone with him in his hotel room, ‘getting a “treatment.’ ” She does not describe his specific actions.
” ‘I thought I was going to die that night,’ she writes.”
She elaborated on the abuse in her complaint, saying she was repeatedly molested by Nassar — across three continents and often at competitions “hosted, sanctioned, supervised, and/or endorsed” by the U.S. Olympic Commitee.
When Maroney tweeted her story in October, USA Gymnastics applauded her in a public statement.
“USA Gymnastics admires the courage of those, like McKayla Maroney, who have come forward to share their personal experiences with sexual abuse,” the group said, adding: “We, like so many others, are outraged and disgusted by the conduct of which Larry Nassar is accused. We are sorry that any athlete has been harmed during her or his gymnastics career.”
The organization did not immediately offer public comment on Maroney’s allegations.
Olympic Committee Releases 'Olympic Athlete from Russia' Logo
The proposed logo for Russian athletes who are permitted to compete in the Pyeongchang Winter Olympics, and other rules, are sure to create a stir at the Olympics, an event that’s heavy on both symbolism and patriotism.
Olympic Athlete from Russia Implementation Group
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Olympic Athlete from Russia Implementation Group
Russian athletes who compete in the Pyeongchang Winter Olympics must wear a simple logo that reads “Olympic Athlete from Russia” — and their uniforms can’t include other words or references to their home country, an International Olympic Committee panel said Wednesday.
The IOC’s Olympic Athlete from Russia Implementation Group released guidelines for uniforms, accessories and equipment two weeks after Russia was effectively banned from the upcoming Olympics because of a widespread and organized doping campaign.
The ban includes provisions for Russian athletes who are declared “clean” to participate in South Korea. Russian officials say 200 or more athletes could meet the criteria.
The logos are sure to create a stir at the Olympics, an event that is heavy on both symbolism and patriotism. At recent events in Russia, the country’s athletes have worn clothes with logos that say their nationality resides in their hearts.
The IOC says the restrictions will apply to competition and training uniforms, along with casualwear, and will cover Russian athletes, coaches and team officials. In addition to limiting the contingent to one or two colors, the fonts “should be in English and as generic as possible,” the panel said.
The OAR Invitation Review Panel, which will determine which Russian athletes should be allowed to compete in Pyeongchang, is meeting for the second time Wednesday, to establish what the IOC says will be “clear and detailed criteria” for Russia’s Olympic hopefuls.
Here is the full list of uniform and logo guidelines released by the Olympic Athlete from Russia Implementation Group:
1. Athletes’ uniforms (Ceremonies, competition, training and casual), accessories and equipment can only have two types of wordmarks: “OAR” and/or “Olympic Athlete from Russia”.
2. Officials’ uniforms (Ceremonies, competition, training and casual) and accessories can only have one type of wordmark: “OAR.”
3. Print size for words “Olympic Athlete from” should be equivalent to the word “Russia” and above the word “Russia.” The size of these words should be proportional to the area in which they are placed and will require individual approvals from the IOC.
4. Wordmark fonts should be in English and as generic as possible.
5. Only single or dual color elements are permitted on uniforms.
6. Separate items of clothing cannot create a tricolor.
7. The colors used in uniforms, accessories and equipment may not be in exactly the same range as those used in the Russian Federation flag. It is suggested that these are darker in color.
8. Country coat of arms, NOC emblem and national emblem must be replaced with the distinct OAR logo.
9. The proposed OAR logo consists of the words “Olympic Athlete from Russia” written in red and creating a circle.
10. The OAR logo must not include a third color.
11. No national identifications design elements should be featured on the uniforms.
12. These guidelines are applicable to all athletes and team officials/coaches uniforms (ceremonies, competition, training and casual), accessories and equipment.
13. All revised uniform, accessories and equipment designs and production samples need approval from the IOC.
Negro Leagues' Mamie 'Peanut' Johnson Dies At Age 82
Johnson was the last surviving woman to play Major League Baseball in the Negro Leagues. She was recruited to play for Indianapolis’ Clowns after being denied a chance with an all-white women’s team.
RACHEL MARTIN, HOST:
OK. Let’s take a minute to reflect on the life of Mamie “Peanut” Johnson. She was one of just three women to play professional baseball in the Negro Leagues. She died yesterday at the age of 82.
DAVID GREENE, HOST:
Johnson was born in South Carolina. And she went to a tryout for the All-American Girls Professional Baseball League, you know, the one from “A League Of Their Own.” But as Johnson told MORNING EDITION’S Bob Edwards in 2003, she and a friend were turned down because they were black.
(SOUNDBITE OF ARCHIVED BROADCAST)
MAMIE JOHNSON: They didn’t let us try out. They just looked at us like we were crazy as if to say, what do you want?
GREENE: Now, Johnson said that looking back, she was glad about that because had she played in the women’s league…
(SOUNDBITE OF ARCHIVED BROADCAST)
JOHNSON: I would be just another lady ball player somewhere. But now I’m proud to say I’m the only and the first lady major-league pitcher.
MARTIN: Mamie Johnson joined the Indianapolis Clowns in 1953 at the age of 18. She played three seasons and compiled impressive stats – a pitching record of 33-8 while batting .270. During her time in the Negro League, she played with some all-time greats.
(SOUNDBITE OF ARCHIVED BROADCAST)
JOHNSON: Mr. Satchel Paige, he was a sweet gentleman. He was kind enough to help me to perfect the curveball. I knew how to throw it, but the technique that he gave me helped me so much in my baseball career. And then I was, you know, I was able to strike a whole lot of fellas out there.
MARTIN: After retiring, Mamie “Peanut” Johnson worked as a nurse for 30 years and coached youth baseball. She was honorarily (ph) selected by the Washington Nationals in the 2008 draft.
(SOUNDBITE OF CINCINNATI POPS ORCHESTRA’S “SUITE (FROM THE NATURAL)”)
Copyright © 2017 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.
NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.
Carolina Panthers For Sale
The Carolina Panthers football team is for sale after reports that the owner is accused of misconduct. Several high-profile black celebrities and athletes have offered to join an ownership group.
Around The World In 42 Days: Frenchman Sets New Sailing Record
French skipper, François Gabart, waves aboard his 100-foot trimaran as he celebrates his world record off Brest harbor, western France, on Sunday.
Thibault Camus/AP
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Thibault Camus/AP
There is a new world record for sailing around the world: 42 days, 16 hours, 40 minutes and 35 seconds. If verified, it is more than 6 days faster than the previous record, set a year earlier.
Gabart reacts after his world record, in the Brest harbor, western France, on Sunday.
Thibault Camus/AP
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Thibault Camus/AP
French sailor François Gabart, aboard a 100-foot trimaran, set out on Nov. 4 to break the record held by countryman Thomas Coville. On Sunday, Gabart crossed the virtual finish between France’s northwest tip and Lizard Point in southwest England at 0145 GMT before turning homeward to Brest in northwestern France.
He reportedly averaged 27.2 knots (31.3 mph) over 27,859.7 nautical miles.
Making such a journey is a difficult feat. It involves tackling the cold and stormy Southern Ocean that rings Antarctica, all the while tending a high-performance sailing vessel at the edge of its performance envelope.
After reaching Brest, Gabart, 34, said he was “aching all over.”
“[It’s] been like that for weeks, weeks since a proper sleep – I can hardly go on,” he told reporters after making landfall at Brest.
“It was hard and I was on the very edge of things the whole time.”
Exhausted or not, Gabart managed to share a bottle of champagne with his shore crew.
?Les premières images de l’arrivée du #trimaranMACIF quai Malbert à @BrestFr ! ?? #RecordTourDuMondepic.twitter.com/KwGUORSlsQ
— trimaranMACIF (@trimaranMACIF) December 17, 2017
“It hasn’t sunk in yet but I know it’s a great time,” he said.
Britain’s Dame Ellen MacArthur won the title for fastest non-stop circumnavigation in 2005, but lost it to Francis Joyon of France. She regained it three years later.
Gabart’s record must be verified by the World Sailing Speed Record Council, which will scrutinize his vessel’s GPS data before signing off on the new record.
Carolina Panthers Owner Jerry Richardson Says He Will Sell Team
Carolina Panthers owner Jerry Richardson watches the action during the first half of an NFL football game between the Carolina Panthers and the Green Bay Packers in Charlotte, N.C., on Sunday.
Mike McCarn/AP
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Mike McCarn/AP
Carolina Panthers owner Jerry Richardson announced Sunday that he would put his team up for sale at the end of the season after the National Football League said it was opening an investigation into accusations of workplace misconduct against him.
“I believe that it is time to turn the franchise over to new ownership,” Richardson, 81, said in a statement on the team’s website. “Therefore, I will put the team up for sale at the end of this NFL season.”
Two days ago, the team said it was conducting an internal investigation into Richardson’s conduct, but did not specify the nature of the allegations. Sports Illustrated says they include sexual harassment of multiple female employees and a racial slur.
Hours before Richardson’s announcement on Sunday, NFL.com reported that the league was opening its own investigation into the allegations.
In the statement on Friday announcing the internal investigation, the Panthers said the team was “committed to ensuring a safe, comfortable and diverse work environment where all individuals, regardless of sex, race, color, religion, gender, or sexual identity or orientation, are treated fairly and equally.”
The Panthers announced that former White House chief of staff to President Clinton, Erskine Bowles — who is a minority owner of the team — would oversee the investigation by law firm Quinn Emanuel Urquhart and Sullivan.
SI, quoting unnamed sources, detailed what it claims were inappropriate comments made by Richardson about how female employees fit into their jeans, as well as “Multiple female employees [recalling] to SI that Richardson asked them if he could personally shave their legs,” the magazine said.
” … on multiple occasions when Richardson’s conduct has triggered complaints—for sexual harassment against female employees and for directing a racial slur at an African American employee—he has taken a leaf from a playbook he’s deployed in the past: Confidential settlements were reached and payments were made to complainants, accompanied by non-disclosure and non-disparagement clauses designed to shield the owner and the organization from further liability and damaging publicity,” according to SI.
Following Richardson’s announcement of the team’s impending sale, Sean “Diddy” Combs and Golden State Warriors star Stephen Curry both issued tweets saying they were interested in buying.
There are no majority African American NFL owners. Let’s make history.
— Diddy (@Diddy) December 18, 2017
I? want in! https://t.co/XvvC1vo7xI
— Stephen Curry (@StephenCurry30) December 18, 2017
ESPN writes: “Richardson was awarded the franchise in October 1993. The Panthers played their first season in 1995. Richardson previously had a plan in place that called for the team to be sold within two years of his death. Richardson reached a deal with Charlotte officials in 2013, when the city agreed to pay $87.5 million in upgrades to Bank of America Stadium that would keep the Panthers there through June 2019.”
Remembering Bruce Brown, Whose 'Endless Summer' Documentary Boosted Surfing As A Sport
With his 1966 documentary The Endless Summer, surfer-filmmaker Bruce Brown created one of the most iconic expressions of the joy of surfing. Brown died this week at the age of 80.
RAY SUAREZ, HOST:
We’re going to take a moment now to remember a titan among the waves, and we’re not talking about Poseidon. We’re talking about documentary filmmaker Bruce Brown, who died last week at the age of 80. As NPR’s Alexi Horowitz-Ghazi reports, Brown’s 1966 surfing documentary “The Endless Summer” sealed his status as one of the sport’s greatest evangelists.
ALEXI HOROWITZ-GHAZI, BYLINE: Bergman of the boards and Follini (ph) of the foam – That’s how Time magazine and The New York Times respectively described surfer-turned-documentary-filmmaker Bruce Brown in 1966, the year “The Endless Summer” hit film screens across the country.
(SOUNDBITE OF DOCUMENTARY, “THE ENDLESS SUMMER”)
BRUCE BROWN: Many surfers ride summer and winter, but the ultimate thing for most of us would be to have an endless summer – the warm water and waves without the summer crowds of California.
HOROWITZ-GHAZI: That’s Bruce Brown himself narrating the film. On its face, “The Endless Summer” is the story of two young surfers on a search for the world’s tastiest waves. But as Matt Warshaw, author of “The Encyclopedia Of Surfing,” sees it, it was really more of a love letter to surfing itself.
MATT WARSHAW: Bruce Brown will be remembered in the world of surfing as the guy that essentially introduced what real surfing is to the rest of the world, the guy that kind of let everybody else in on our great secret.
HOROWITZ-GHAZI: Warshaw says that, in the early 1960s, popular depictions of surfing in movies like “Gidget” and “Beach Blanket Bingo” didn’t do the sport justice. Surfers were mostly depicted as goofball teenagers or juvenile delinquents. And many surfers felt the story of the sport deserved to be told by one of their own.
WARSHAW: Bruce Brown, first and foremost, was a surfer from Southern California.
HOROWITZ-GHAZI: Brown got his break in his early 20s, when he convinced a California surfboard manufacturer to fund his first feature-length documentary. He spent the next several years cutting his teeth as a filmmaker before his big hit, “The Endless Summer.”
WARSHAW: What people didn’t realize is that he’d been practicing to make that movie. He’d been doing essentially drafts of that movie for almost five years.
HOROWITZ-GHAZI: Warshaw says “The Endless Summer” captured something essential about the joy of surfing that made it both appeal to surfers and non-surfers alike, and that made it a genre-defining film.
(SOUNDBITE OF DOCUMENTARY, “THE ENDLESS SUMMER”)
BROWN: The ultimate thing to do in surfing is to be actually covered up by the wave. And here goes Wayne (doing) doing the ultimate thing.
WARSHAW: You know, if you were ever going to turn to someone who’s never surfed and say, this is why I surf and this is what it’s like, that intro to “Endless Summer,” I think, is still the finest thing you could give to somebody as an introduction.
(SOUNDBITE OF DOCUMENTARY, “THE ENDLESS SUMMER”)
BROWN: The thing you can’t show is the fantastic speed and that feeling you get in the pit of your stomach. I couldn’t help but think of the hundreds of years these waves must have been breaking here. But until this day, no one had ever ridden one.
HOROWITZ-GHAZI: Bruce Brown eventually stepped away from filmmaking after garnering an Oscar nomination for a later documentary about motorcycling. He spent the following decades pursuing his other passions – swordfishing, golfing and rally-car racing – chasing a different kind of “Endless Summer.” In many ways, he succeeded. And with his films, Bruce Brown brought countless others along for the ride. Alexi Horowitz-Ghazi, NPR News.
(SOUNDBITE OF THE SANDALS’ “THEME FROM THE ENDLESS SUMMER”)
Copyright © 2017 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.
NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

